Wednesday, February 07, 2007

‘DREAMGIRLS’ (or, the Musical Guest Blog)



This post does not really belong on this blog – although Bollywood movies are usually musicals, albeit in a very different style from the Western style of musical. But it doesn’t belong on my other blog either, and I just HAVE to post it somewhere. So I’m posting it in the same spirit as the Nollywood guest blog I posted a while ago. This one is about musicals.

I am the queen of musicals – I just love them. I love that unique blend of song, dance and drama. I love a well-crafted musical with just the right number of songs, inserted in just the right places. It fills me with delight, it sends shivers down my spine, it makes me smile, cry and laugh – it is a pure joy and a special kind of release. I love the ‘fantasy-ness’ of musicals… nothing allows you to escape into another world better than a really good musical. For me the best musicals are fantasies which still manage to have strong elements of social relevance and realism – movies which are escapist but still have a strong resonance. And of course, the songs have to be solid – in terms of lyrical content as well as the music itself.

Obviously, the stage is the true home of the musical, but for those of us who can’t afford the ticket prices (except on very special occasions), the film versions will have to do. In addition, movie musicals give us the opportunity to see musicals which are no longer on stage and are unlikely to ever be revived – it’s a special but very rare treat when the stage actors get to re-interpret their roles onscreen – Rex Harrison and Yul Brynner got this opportunity for the legendary performances in My Fair Lady and The King and I, but their female counterparts didn’t. (I sometimes wish I could go back in time and space just to watch Rex Harrison and Julie Andrews do My Fair Lady on Broadway – and I still feel bad that we didn’t get to see Julie as ‘Eliza’ on celluloid).

Musicals tend to be longer than 90 minutes because of the songs, and for that reason can be difficult to adapt to the standard film format. Being a Bollywood fan, I obviously have no problem with ‘longer’ movies, so I get a bit miffed when the quality of a musical is sacrificed just to get it to be the ‘right’ length.

I think it’s a well-known fact that Hollywood has lost its knack for the musical – the ‘golden age’ of the musical is over. For this reason, my favourite Hollywood musicals are the oldies – the ones with Rodgers & Hammerstein music (South Pacific, Oklahoma!, Carousel, The Sound of Music etc), the fabulous films from the days of Judy Garland, Leslie Caron, Fred Astaire, Gene Kelly, Cyd Charisse et al (Easter Parade, Gigi, The Wizard of Oz, High Society, Singing in the Rain, Lili, Hans Christian Andersen etc).
Moving forward a little, I love Streisand’s work (Yentl, Hello Dolly) and of course movies like Cabaret (Liza was tres hot), Victor/Victoria (possibly my fave Julie Andrews performance ever - although my childhood bond with The Sound of Music constantly battles that assessment), then forward to Grease, and then the 80s ‘dance movies’ which featured strong soundtracks even though they weren’t musicals – Flashdance, Dirty Dancing, Breakdance. Of course, I should mention that Disney has kept the musical going as far as animation is concerned, from the innovative (at the time) blend of animation and human actors in Mary Poppins, to modern animated classics like The Lion King (with its brilliant music), The Little Mermaid and Beauty and the Beast.

The more recent Hollywood musicals, while not bad, do not, in my opinion, measure up to the oldies. I mean, ‘Moulin Rouge’ was ok, but it’s not the kind of movie I’d see again – ‘Chicago’ was better because the performances were stronger (especially Catherina Zeta-Jones’s excellent Oscar-winning turn) but… still no masterpiece. For me, those movies just lacked some of the sense of fun and abandon the old movies had… that joy… that heart… not that the oldies all had that, of course, but I’ll come back to that. I’ve enjoyed the modern movies which were not technically musicals but which made extensive use of music (because they were about real/fictional musicians) a lot more – movies like Ray, Selena, Gypsy, The Rose (I do love the Divine Miss M when she sings - nothing like it), What's Love Got to Do With It (Angela Bassett was robbed of the Oscar), Walk the Line (love it), the Judy Garland Story (with a fantastic Judy Davis) and Hustle n Flow (don't let me get started on Terrence Howard now), among others.


Dreamgirls’ is a treat for me because it’s the best of both worlds – it’s about musicians (so much drama there) and it’s also a musical in the true sense of the word – with music actually telling the story. It’s based on (in a satirical style) some great musical history (probably my favourite era of modern music) – the fabulous Motown day with the diva-licious Diana (read Deena) Ross and the Supremes (read Dreams). I love the fact that although I missed the famous Broadway run of the original stage musical, a worthy tribute (yet, from all accounts with its own ‘personality’) has been made.

Dreamgirls is a thoroughly modern movie (especially in terms of choreography) but it has the feel and the heart of many of the oldies. I love the passion and freshness you can feel from the filmmakers – this is where I think Bill Condon succeeded the most. Like I said, even some of the classic old musicals sometimes suffered from a lack of heart – ‘My Fair Lady’ is a good example. It had all the right elements – Rex Harrison at his best in an Oscar-winning performance, great sets and costumes, technically almost-perfect in terms of production quality, Audrey Hepburn in a very good performance (while I wish Julie had gotten the role, I can’t deny that Audrey did her best – even if she couldn’t sing her own songs). But it just lacked heart – it just lacked that freshness – that enthusiasm and joie-de-vivre that you need for a really good musical, which is what films like ‘Singing in the Rain’ had – and ‘Dreamgirls’ has that in spades.




Where shall I begin? The performances – Jennifer Hudson’s performance has been praised to high heavens by almost everyone else and I see why. She is amazing in this film – her onscreen presence is so powerful yet so natural. I actually missed her in the scenes she was absent from. She had such depth in this performance, she never over-acts, she just flows with all this real emotion – and she has such confidence that it’s amazing to think that this is her first movie. And that voice… whoa… it sent shivers down my spine. I have the legendary Tony Awards ceremony Jennifer Holliday rendition of ‘And I am Telling you I’m Not Going’ on my PC and listen to it (and marvel at it, thinking no-one but no-one could ever sing the song as good as that) all the time… but this Jennifer H. has really done justice to the song – and to ‘I am Changing’, and all the other songs. Just a great, great voice… but more on Ms. Hudson later.

My second favourite performance in this film came from a veteran, Mr. Eddie Murphy. I love his old comedies (Trading Places, Coming to America, the Beverly Hills Cop movies, Bowfinger (with Steve Martin - one of my all-time faves)) but it’s been a while since Eddie did an ‘adult’ movie… he’s been doing lots of family stuff like ‘Shrek’ and ‘Dr. Dolittle’… and this film made me realise how much I’ve missed him. This role ('James Thunder Early') was perfect for him… cocky yet vulnerable, funny as heck, crazy, tragic, self-absorbed yet so giving and generous, so over-the-top but also somehow contained and sensitively interpreted. Loved it, loved it, loved it.



Jamie Foxx and Anika Noni Rose also did great in this movie – they both nailed their roles – fantastic performances… Jamie’s range as Curtis was great. Keith Robinson was really good (plus he was too cute – I wanted him to be my little brother)… and Beyonce… well, she did well too. Markedly better than her past performances, but definitely not worthy of a Golden Globe nomination (what were they thinking?) Having said that, she did do very well – she should be proud. She held her own - but not a patch on Jennifer. I hear she’s a bit upset at all the attention Jennifer’s getting – how very ‘Dreamgirls-y’! She did write a great song though ("Listen") but then we already know Beyonce can write a good song. The rest of the cast – Danny Glover, Sharon Leal etc was really good – good casting.




The choreography – Fatima Robinson nailed it. She nailed it! Totally reminiscent of the time period under reference, but also fresh and classy. Fantastic – one up for the MTV music-video generation. While Condon and his gang can’t take credit for the high lyrical quality of the wonderful songs (although some great new songs were written for the film too), they were beautifully arranged and performed – very very good work – I must get the soundtrack. The sets and costumes – lovely – from the Dreams' costumes (the later ones – after they had made some money) to the black suit Beyonce had on when she went to see hubby – so 70s (with all the ruffles) yet so contemporary.

But the directing, editing and cinematography deserve honours too. So lovingly done… this film was just beautifully shot. So many great examples – the use of lighting and shadow in ‘And I am Telling You…’, the way they shot the first Jimmy Early song sequences – heck, the way they shot all the song sequences. So seamless and beautiful, so well-paced – courtesy of Condon’s genius script. The script is dramatic, exciting but also hilarious, really nicely done by someone who obviously truly loves the stage musical. I’m trying to think of something to fault this movie on, but I can’t – maybe the next time I see it, I’ll be able to nitpick (actually, no I won’t) – but for now I’m just loving it.

And I’m loving Jennifer Hudson – what a story… first of all, she accomplished the feat of trimming down from a size 22 to a 12 before auditioning for American Idol. While on AI, despite winning the admiration of veteran musicians like Sir Elton John, she got voted off by America (I remember her saying ‘well, if America don’t like me, what can I do about it?’ or something like that, when the results were announced). Instead of disappearing into oblivion like all the other AI rejects, she got this role… and she absolutely KILLED it!! Amazing… talk about the original Dreamgirl. And now Clive whathisname (Clive Davis?) is falling over himself to give her a record deal (after turning her down a couple of years ago). How hotttt is that? Of course, there’s the usual crowd of naysayers saying that Jennifer will fall prey to the so called ‘curse of Effie White’ – i.e. that, like Jennifer Holliday, she will always be seen as Effie White and nothing more. To that I say, whatever!! (I know, how very eloquent of me) Well, I predict that this Jennifer has more up her sleeve… and I’m rooting for her.

Obviously, I think Dreamgirls is a great production – I think I may have to see it again before it leaves the cinemas – and it’s definitely going in my DVD collection when the DVD comes out. What more can I say? I just loved it.

I know this was a loooong review - but bear with me, it's not everyday I see a movie I can really rave about!

Wednesday, January 24, 2007

...And it did!

Maja is right about movies that start badly tending to be bad right through, but I am happy to state that 'Jugnu' is one of the rare exceptions that proves the rule.

'Jugnu' is really not that bad... I finished it yesterday, and it left me feeling good. I enjoyed S. D. Burman's music - Carla is right about him having a very different 'sound' from his son... it was really interesting to hear the difference. Hema did a great dance number, and she and Dharmendra had some very cute scenes together. I really enjoyed all Pran's scenes - I always enjoy watching him. He was really good in this film. There's also some nice thriller-type moments. Sure it doesn't start great, and sure there were some really tacky moments (I hate the scene in which Dharam's character and Hema's character meet for the first time) and some really really dodgy and highly unnecessary special effects, and some silly silliness, but 'Jugnu' is really not a bad watch. And I'm sure I'll like it even more second time around... will probably skip the early bits and go straight to the interesting bits next time, though.

One more thing I liked about 'Jugnu' is that this is one movie in which the hero doesn't manage to get away with wrongdoing just because he's the hero - unlike 'Vijaypath', which I hope to finally get around to reviewing this weekend (I've been promising myself to do it for well over a month now!)

And yayy... I've seen one more Dharmendra movie...

Thursday, January 18, 2007

'JUGNU'... Hope it gets better

After a long period of inaction in terms of Dharmendra movies, it finally seems like things just might be looking up for me. After a long wait, I finally got my ‘Chupke Chupke’ DVD, although I haven’t had time to watch it yet, and might not get round to it for a while. It’s great to know I have it, though.

By sheer happenstance, I recently also found (during one of my random DVD/VCD raids near my office) a copy of ‘Jugnu’, another Dharmendra film from way back. I watched a few minutes of it last night. ‘Jugnu’ stars Dharam, Hema Malini, Prem Chopra and the Pran-tastic one. I quite like Pran, his roles are always fun to watch. Anyway, from what I saw of ‘Jugnu’ last night, hmm… this just might be a bad movie. I posted a quote on this blog a while back from a Hema Malini interview, in which she said she regretted not making more movies with Dharmendra (and establishing themselves as a romantic couple). Maybe she was wishing they could have done more with films like ‘Jugnu’.

I loved Dharam and Hema as a couple in ‘Sholay’ and ‘The Burning Train’ (the film which made me fall in love with Dharmendra)… but I gotta say it’s not looking too promising for ‘Jugnu’. I’m only like 20 minutes in, but the film just seems to fall flat. Dharam is playing the clever conman and master of disguise that we’ve seen done in really good old movies like ‘Do Aur Do Paanch’ and newer ones like ‘Bluffmaster’ and ‘Bunty aur Babli’, but… he doesn’t seem to be doing it that well. He just seems really naff and a bit annoying.

Hema, looking very beautiful as always, is playing the independent, headstrong tomboy stereotype, and she seems to be doing ok… but it’s not really working for me. So far, the parts that are supposed to be clever and funny are just… not. They’re just silly, and not even in an interesting or amusing way. The film appears to be really badly scripted – the story is making absolutely no sense and the scenes are just plodding along. I really hope things pick up in ‘Jugnu’, otherwise I might just have to write this one off as a bad Dharam movie, which would be sad... although, hey, at least I'd have one more movie to add to my list of the Dharam movies I've seen.

On the plus side, ‘Jugnu’ features music by S. D. Burman… which I’m looking forward to because I recently heard about him from Carla. So far, the background music has been mildly interesting, and I’ve listened to only one full song, which Dharam’s character does with a group of schoolchildren on Independence Day. I didn’t really notice whether the song was good or not, because the picturization was so cheesy and… not very likeable. Hopefully, I’ll enjoy the music more when I watch the rest of the film over the next few days.

Wednesday, January 10, 2007

BAHUT EXCITING!!

So exciting, in fact, that I can't be quiet about it a minute longer...




I'm planning a trip to India!!

This year!!

With my fellow fan of all things Indian.

It'll take A LOT (a whole lot) of planning, scrimping, saving, and micro-managing; but I am determined to make it happen.

Saturday, January 06, 2007

CRUSHING ON COUPLES...

I sort of made a resolution to be more serious on this blog this year – and to do fewer silly posts about crushes and the like… but as this, my very first post of the year, is undoubtedly very silly, it’s pretty obvious that the resolution has been chucked out the window (resolutions are made to be broken anyway, right?). The thing is, being silly is so much fun that I just can’t resist it…

When I have a crush on a particular guy I see onscreen, there are certain things I do. It’s really very funny, I entertain myself all the time. I smile goofily at him on the screen, I touch my heart when he makes it beat a little faster, I fan myself with my hand when I feel the ‘temperature rising’, I go ‘awww’ when he does something particularly cute, I blush (or do whatever the equivalent of blushing is for black people) when he does something really sweet and romantic, and I talk to him… like ‘You’re so cute!’ (for when he looks just mega hot), ‘I want to marry you!’ (for certain rare and random things), ‘Go on, just do it!’ (for when he’s stalling, like when he wants to tell a girl he loves her but can’t quite summon up the courage) and ‘That’s my guy!’ (for when he kicks some butt in a very awesomely cool way). Sometimes (when he gets like, unbearably cute or corny), I have to cover my eyes for a second because I just can’t bear to look. I also usually make up a silly and razz name for the fictional character, like ‘Jackostic’ or 'Jackoski' if his name is ‘Jack’ (one of my current TV crushes is named Jack, actually). And of course there are the random moans and gasps of sheer crush-induced delight. I know, I sound like a total nutcase, but I should make it clear that I only do these things when I am either watching alone (which is pretty much all the time) or with someone of similar sensibilities.

I recently discovered that many of the above silly things I do when I have a crush on a guy I’m watching on TV or in a movie; I also do when I am watching certain couples. Because they are just sooo cute. They just make me fall in love with them. I just absolutely adore them… and so I’ve realised that not only do I have crushes on guys, I also have crushes on couples. (Is that bizarre?) And so I’ve given myself an assignment – to do a post on my three most crushed-on couples in the following five categories: Nollywood, Hollywood, Nigerian TV, Other TV and (of course), Bollywood. It should be a lot of fun. I was going to wait till Valentine’s Day, but hey, it shouldn’t be hard to come up with something romantic to write about on Feb. 14 – this IS a Bollywood blog after all –you can’t escape romance in Bollywood, it’ll chase you down (and smother you). But first I have to point out that the couples I’m about to list are only the ones I actually have an honest-to-goodness CRUSH on, not the ones I like or admire in other ways. For example, I love Cliff and Claire Huxtable very much, and they are probably my fave TV couple, but I don’t have a crush on them. And so on to the fun…


NOLLYWOOD



STELLA DAMASUS-ABODERIN & RICHARD MOFE-DAMIJO (RMD): These two actors are probably one of the most successful couples in Nollywood. They have really nice chemistry together, and you can tell that they like and respect each other in real life. These two are so good in all their movies that there have been rumours (untrue) of a real-life romance between the two. An example of their work together is Charles Novia’s ‘The Bridesmaid’, but there are many more. RMD is a great leading man, he does well paired with almost anyone, but I really like him with Stella.




GENEVIEVE NNAJI & RAMSEY NOUAH: These two have done a lot of movies together; unfortunately I can’t remember the name of a single one at the moment (Nollywood movie titles can tend to be forgettable). Just found a picture for one called 'Super Love' - don't think I've seen it, though. Anyway, these two look really good together and act very well together… I like them.

STEPHANIE OKEREKE & ST. OBI: Steph and Saint make a very handsome couple, they’re both tall and striking. And they had great chemistry in the one film I’ve seen them do together – I can’t even remember what it was called but they were fantastic together. Haven’t been able to forget it. They had my aunt in tears in the final scene.


HOLLYWOOD

Okay… this is going to be hard… I can’t possibly do just three in this particular category because there is so much material for this category in ‘old’ movies (which I love) alone… ok, I’m going to bend the rules a bit and do seven.




LESLIE CARON & LOUIS JOURDAN IN ‘GIGI’
: Aww, they were so cute. Leslie Caron as ‘Gigi’, the irrepressible tomboy growing into a woman and falling in love at the same time, and Louis Jourdan as ‘Gaston Lachaille’, the playboy finding out that love has been under his nose for years. I love the moment when walks around Paris singing the song ‘Gigi’, he has this wonderful look of exhilaration in his eyes like he’s just coming alive, then at the end of the film, there’s resignation, but also still that passion, as he realises that his life has changed forever – but he likes it. Kinda corny, but beautiful.

TALIA SHIRE & SYLVESTER STALLONE IN ‘ROCKY’: I am a ‘Rocky’ nut – a real junkie. I have all the ‘Rocky’ movies and can’t wait to see ‘Rocky Balboa’. There is just something I love about the movies. In the first movie (which is really the only one which really focuses and zooms in on the romance between this couple – for which reason it’s the least loved of the more macho ‘Rocky’ fans), Talia and Sly play ‘Adrian’ and ‘Rocky’, a couple of neglected, socially inept, lost souls who find a new lease of life in each other. I love their chemistry, and the fact that they don’t need to say much to express their feelings. It’s like they’ve found themselves in each other. I love the moment when they kiss and slide down the wall together. Awesome.

JULIE ANDREWS & CHRISTOPHER PLUMMER IN ‘THE SOUND OF MUSIC’: This movie was a big part of my childhood and I still love it. A friend of mine expressed its appeal well – it has everything: music, comedy, thriller elements, war, villains, and of course, romance. I love how Julie Andrews betrays traces of her attraction all through the film, while Christopher Plummer tries desperately to maintain his state of denial. And I especially love the moment in the garden when Maria and Captain von Trapp finally come clean. When I was younger, I used to cover my eyes when watching it ’cos I just thought it was so embarrassingly romantic.


MEG RYAN AND TOM HANKS IN ‘YOU’VE GOT MAIL’: These two have done a number of movies together, but ‘You’ve Got Mail’ is my fave, which I guess is unusual as most people prefer ‘Sleepless in Seattle’ (‘Sleepless’ was of course inspired by an older classic movie starring another couple I have a crush on – Cary Grant and Deborah Kerr). Anyway, I just love their intelligence as a couple in ‘You’ve Got Mail’, the way they bounce off each other, the way their attraction and connection is so much more than physical – it comes off as way deeper than it should – after all, it’s portrayed in a 90 minute film.

JACK NICHOLSON & DIANE KEATON IN ‘SOMETHING’S GOTTA GIVE’: Old people in love=cute. I am not a fan of Jack Nicholson, but I have to admit he’s a great actor – and a great (if highly unlikely) leading man. I loved him playing against Helen Hunt in ‘As Good as it Gets’, and Kathy Bates in ‘About Schmidt’ (although they weren’t a couple), but I loved him most of all with the divine Ms. K in ‘Something’s Gotta Give’. They are soooo cute. I love that they made it 100% believable that Diane’s character would leave a hunky young doctor (played by Keanu Reeves) for Jack Nicholson’s aging-Lothario character.

REESE WITHERSPOON & JOAQUIN PHOENIX IN ‘WALK THE LINE’: I love the way these actors portrayed the connection between Johnny Cash and June Carter Cash. I love the fact that they showed all the ‘ugliness’ as well as the beauty of the relationship. I love the way they made the friendship between the characters come alive, not just the romance. I just loved them together – my favourite bit is the proposal scene at the end when Johnny stops singing and just stares at June like she’s the most amazing thing he’s ever seen, and she’s staring right back like ‘What? Do I have a wart on my nose?’

CATE BLANCHETT & JEREMY NORTHAM IN ‘AN IDEAL HUSBAND’: I am a Cate Blanchett fan and I really liked the chemistry between her and Jeremy Northam in this film. They play a husband and wife who find out the truth about each other (well actually, it’s more Cate’s character finding out the truth about Jeremy’s). I like the progression in their relationship from utopia to disenchantment to a greater appreciation of and deeper love for each other. I love the way Jeremy Northam says ‘my wife!’ in this film – quite random but I love it. Rupert Everett and Minnie Driver, who play the other couple in this film, are cute too.


NIGERIAN TV

ENE OLOJA & MACARTHUR FOM IN ‘BEHIND THE CLOUDS’: Ene played ‘Efe’, and MacArthur played ‘Nosa’. This was a fantastic couple, they did the whole ‘young love’ thing so well. Efe stayed in love despite the strictures of her father, Mr. Okonzua (we preferred to call him ‘that wicked Mr. Okonzua’), brilliantly played by the great Zack Amata; and Nosa was just a young sweetheart – he was adored by all the Nigerians who were addicted to their weekly dose of ‘Behind the Clouds’ (8pm every Sunday, just before ‘Newsline’). When MacArthur died tragically, Nigeria mourned him, the cast cried onscreen, and the show was never the same.

EGO BOYO & RMD IN ‘CHECKMATE’: Ego as ‘Anne Haatrope’, and RMD as ...can't remember his name ( but he had this cool tic where he ran his finger under his eye) were just a great couple. They had great chemistry, and kept us glued to their characters’ games with each other.

IRETIOLA DOYLE & RMD (AGAIN!!!) IN ‘SOLITAIRE’: Iretiola Doyle is, in my opinion, one of Nigeria’s best actresses. In ‘Solitaire’, she and RMD play the stereotypical Mills & Boon-type couple who ‘hate’ each other but have all this attraction and sexual tension simmering beneath the surface. They work together, and RMD’s character can’t seem to stop baiting Ireti’s character. They have loads of witty repartee to exchange in the script, and it’s a lot of fun.


OTHER TV

Again, I must bend the rules – I’m doing five…


CARLOS BERNARD & REIKO AYLESWORTH IN ‘24’: This is my ‘crush du jour’. Now I just love these two. I don’t know why. I love them to pieces. There is just something about the way their characters, ‘Tony Almeida’ and ‘Michelle Dessler’ really just fancy each other to bits. They are just so cute together, surreptitiously checking each other out while all busy saving ‘millions of lives’. Even in Season 3, when they are playing a married couple, they’re still cuter than high school sweethearts. And in Season 4, even when they’ve split up, they’re still so cute exchanging ‘secret’ glances. I just love their chemistry. When they kissed for the first time in Season 2, I was in raptures. And they are both so cute and so… well-matched. A pity their chapter's closed for good.

JANE LEEVES & DAVID HYDE PIERCE IN FRASIER: These two do a great job of playing ‘Daphne’ (a brassy, blunt, down-to-earth broad from Manchester) & ‘Niles’ (a posh, finicky, drama queen and neat freak), two characters who are different as chalk and cheese. I love them together. Great chemistry. I think I’ve watched the scene when they finally ’fess up to loving each other a million times.

‘GABRIELLE SWANSON’ & ‘TONY CLEMENTE’ IN ‘THE LADY OF THE ROSE’: These are fictional characters from a Mexican telenovela I watched on Nigerian TV in the 90s (yes, I used to watch telenovelas – very cheesy, I know, and I can’t imagine watching them now, but I used to like them). I don’t know what the actors’ real names are, but they were great. They were rarely onscreen together, but everything they went through in the series was about each other… and it was beautiful how they kept trying to hurt each other but finally had to succumb to ‘the love’.

JENNIFER EHLE AND COLIN FIRTH IN ‘PRIDE AND PREJUDICE’: In this BBC TV adaptation of one of my favourite novels ever, Jennifer Ehle plays the witty, independent Elizabeth Bennet, and Colin Firth plays the aloof and haughty Mr. Darcy. The scene in which Elizabeth and Darcy meet unexpectedly at Pemberley is lovely. Jennifer does very well as a girl who thinks she knows it all but finds she is just as prejudiced as she perceives others to be, but Colin Firth completely overwhelms as Darcy. He is just so… so hot, and so believable, and you can really follow the arc of his character’s development. And he does ‘the look’ beautifully. Absolutely brilliant.

ADAM BRODY AND RACHEL BILSON IN ‘THE O.C.’: I have always wished for a fictional version of this fictional show, in which there’d be no Mischa Barton playing ‘Marissa’ (I find her annoying) and no Benjamin McKenzie playing 'Ryan' (although I think he’s very cute, he’d be totally redundant in my fictional version). There would only be ‘Seth’ and ‘Summer’, who I think are just very cute together. Seth makes me laugh, and Summer is sweet. Adam Brody is great, I love him in ‘The O.C.’, but I also really enjoyed his work back when he was on ‘Gilmore Girls’.


BOLLYWOOD


SHAHRUKH KHAN & KAJOL: I love them together, you can tell they enjoy working together, and I think they bring out the best in each other. They do comedy together very well (the ‘college’ bits in ‘KKHH’), and they do the dramatic moments very well too – like the moment in the rain in ‘KKHH’. I’ve seen only three SRK/Kajol movies – ‘DDLJ’, ‘KKHH’, and ‘3KG’, and I loved them together in all three. ‘3KG’ isn’t one of my favourite movies, but I love the SRK/Kajol bits – in fact, ‘Suraj Hua Maddham’ is my favourite SRK/Kajol picturization. I could (and have) watch it over and over again. And every time I watch it, it makes me happy. Kajol is all graceful and beautiful (love her clothes and make-up), and SRK is… well, SRK is… wet. Watching SRK in all the see-through shirts (and as if their transparency were not enough, they have to be all wet as well – so not fair) in ‘Suraj Hua Maddham’ makes me feel a bit… ummm… voyeur-ish and slightly dirty… I mean, I really do NOT want to see his nipples peeking through the fabric (or do I?) I so cannot believe I am going to publish that last line… but I guess I am.




JAYA BHADURI & AMITABH BACHCHAN: These two are so cute. One all ‘long’ and gangly, the other cute and petite. Both so intense and great to watch. I’ve seen them together in ‘Abhimaan’ (love it when she wakes him up and he grabs her hair and pulls her down), ‘Zanjeer’ (love the bit where they just stand apart and stare at each other for eons, and the bit where he tells her he loves her with the most serious expression ever on his face), ‘Mili’ (love the exchange of letters), and ‘3KG’ (love Jaya getting up on her stool to fix Amit-ji’s tie). I love them.

RANI MUKHERJI & ABHISHEK BACHCHAN (A.K.A. ‘BUNTY AUR BABLI’): Now Bunty aur Babli are just the cutest couple. Yes, they lie, they cheat, they steal, but they are like two kids just having a blast with each other. They are two misfits who suddenly find their ‘fit’. For me, Rani is always great to watch, I’ve seen her do well against several other actors, but I really like her and Abhi causing mayhem and having a big ol’ blast in ‘B&B’. Part of it is that I think they have a similar kind of dynamic to Abhishek’s dad had/has (onscreen) with Jaya. A shame they didn’t hit it off in real life – I don’t find the Abhi/Ash energy quite as appealing (although of course onscreen chemistry is very, very different from real life stuff). Good luck to them though.

Saturday, December 30, 2006

MEMORIES… A POST HEAVILY ‘INSPIRED’ (IN TRUE BOLLYWOOD FASHION) BY MAJA

I’ve just been over to Maja’s blog, and she has some wonderful retrospective posts (with, as usual, awesome pictures) about what this year has been like for her, in terms of both Bollywood and blogging.

As it’s the end of the year and I’m feeling a bit warm and fuzzy today (must revel in it while it lasts), and also because I think Maja’s idea is absolutely brilliant (and the best tribute to a good idea is to emm… ‘borrow’ it), I’m going to do a little reminiscing and recapping of my own… although, needless to say, this post will be much more uninteresting and less cool than Maja’s.

2006 is my first year as a blogger, and I’m still fairly new on the block. I’ve been blogging for a few months now, and my last post was my thirtieth on this blog. I’ve really enjoyed blogging, it’s been a lot of fun (and a huge learning experience). I think my Bollywood blog has enhanced my love for and delight in Bollywood movies. I crack myself up, remember things I’ve really loved (or hated) about the movies I’ve seen, talk about my observations with others, and generally just have a lot of fun. Another really cool thing about becoming a ‘Bollyblogger’ has been the opportunity to discover and read brilliant blogs by other Bollywood-lovers.

I had just set up my other blog while, in the course of wandering aimlessly around blogworld, I stumbled upon Akshaye’s girlfriend’s blog. I’d been there before, in its infancy, when Beth had seen only a few Bollywood movies, and was thrilled to see how much it had grown and how much Beth really does love Bollywood. After reading some of her posts, I thought to myself, ‘Hey, wouldn’t it be fun to have a Bollywood blog dedicated to your current Bollywood favourite person, Dharmendra?’ So Beth, thanks for the inspiration. (Do I have NO original ideas of my own?)

Beth (via her sidebar) turned me on to other fantastic blogs which have now become frequent pitstops for me: Hrithik’s girlfriend’s blog, Abhishek’s girlfriend’s blog, Jhaji’s blog, Sheetal’s blog, Aparna’s blog and others. From that point, I discovered many other brilliant blogs – see my sidebar for my full (and ever-increasing) list of faves – most recently the-Shabana-Azmi-fan’s fantastic site. It’s been a lot of fun – but I think I’ve said that already. I love reading these bloggers’ news, reviews, views and impressions – both when they are similar to mine (sometimes uncannily so) and when they’re totally different (like: "What? You really don’t like….? I love it/him/her".)

It’s been a big Bollywood year for me – I’ve seen a LOT more Bollywood movies than I did last year, and I’ve learnt a lot more about Bollywood – although I’m still pretty much an ignoramus in many ways. I realise that there’s a lot about Indian film that’s inaccessible to me because of language and cultural differences (although I’ve found some parallels between my culture and Indian culture). While I’m a big fan of the whole ‘so much of our human experience is universal’ idea, I also recognize and enjoy the existence of that wonderful, complex thing called diversity.

Sometimes I wonder if I sound shallow and dumb (and quite possibly irritating) to any ‘authentic’ Bollywood fans (people who see the ‘big picture’ and appreciate all the contextual background stuff) who may stumble upon my blog. It’s something I wonder about now and again – have I become one of those annoying people who try to fit in ‘by force’ (Nigerian-ism for doing something ‘at all costs’, even when it’s not even working), and who then proceed to turn into insufferably arrogant creatures who think they know more about the lay of the land than its inhabitants? (A guy I met during my studies in England who’d spent a year working in Africa, and proceeded to spend over an hour trying to convince me that he knows more about Africa than I do, readily springs to mind…he was such a prat!)

Well, if I have fallen into the trap of becoming an ‘irritee’ on this blog, I guess my only defence is that it was unintentional. The aim of my blog is to express a very particular perspective on Bollywood – that of a Nigerian twenty-something (with certain personal preferences and probably a few unacknowledged prejudices) who just happens to adore Bollywood. I’ve tried to keep things as light-hearted and 'me' as possible, and to own up to my high level of ignorance (I’m just a Bollywood fangirl, enthusiast, aficionado and addict – I’d say I was a ‘buff’ too, except I hate that word. I’m definitely no connoisseur). Anyway, please do forgive (and feel free to correct in future) any slip-ups I may have made in this area.

In her post, Maja put up her 5 favourites ('hall of fame') and 5 least favourite ('hall of shame') Bollywood movies for 2006. I tried to do that, but it was too hard! I was coming up with like 10 movies in each category. So, being a lazy girl today, I’m going to do only one each.

‘DON – THE CHASE BEGINS AGAIN’: Seeing ‘Don’ (2006) was the high point of my Bollywood year, NOT because it was the best Bollywood movie I saw this year (it wasn’t – but don’t ask me which was), NOT because it stars one of my favourites (although I do love my SRK), and NOT even because I really, really enjoyed it (although I did – I absolutely loved it – but I enjoyed a few others more). It’s the high point because it marked a number of ‘firsts’ for me. It was the first Bollywood movie I’d ever seen on the big screen, which is a whole different experience from watching DVDs at home. It was the first movie (of any kind) I’d ever seen in a Nigerian cinema, which was long overdue. It was also the first time I met my fellow Nigerian-fan-of-all-things-Indian, which was very cool, because she’s a sweetheart. It was a very memorable afternoon, and I look forward to others like it in 2007.

‘INSANIYAT’: Watching the first 5 minutes of ‘Insaniyat’ (starring Amitabh Bachchan, Sunny Deol and just about everyone else in Bollywood) was pure torture – and hence the low point of my Bollywood year. I just couldn’t watch any more of it… which is very unusual for me, because I HATE to not finish a book or a movie. But after just 5 minutes of watching a tired-looking Amit-ji kicking bad guys’ behinds in ‘Insaniyat’, I completely gave up and NEVER plan to continue. It was that painful. So ‘Insaniyat’ joins ‘Pyaar Kya To Darna Kiya’ on the illustrious list of Bollywood movies I’ve been unable to finish. I usually ‘never say never’, but… NEVER!!!

So, it’s been an interesting, educative, and most of all a FUN, FUN, FUN (till my Daddy takes my T-Bird away) year in Bollywood for me… to sum up:

I’ve seen some really good movies
(And some awful ones)
I’ve ‘met’ lots of cool people
And read lots of cool blogs
I’ve had (more than) my fair share of crushes
And I know this is a very crappy poem so I’ll end it here –
All that’s really left to say is: ‘Bring on 2007!!’


(PS: My copy of ‘Chupke Chupke’ just arrived…yayy!)

Wednesday, December 27, 2006

MOVERS AND SHAKERS

This post is about some of my favourite Bollywood movers and shakers… and I don’t mean the moguls and power-brokers of the industry – I mean the actors and actresses who know how to move and shake their bodies…

I am a huge fan of dance, and dance in Bollywood movies certainly provides a lot of entertainment. It’s a mixed bag, from the subdued to the extra-extra-EXTRA-OTT, from the traditional to the contemporary, from the solo to the group dances, from the elegant to the wacky, from the talented dancers to the terrible (Rishi Kapoor or Sunny Deol, anyone?) and just about everything in between. There are of course, certain ‘staples’: the ‘item numbers’ (often involving ‘nautch girls’) that show up in a lot of movies, the romantic dances for two in the hills or by fountains, the huge ensemble numbers, the contemplative/introspective numbers that are often used to move the plot along… and so on.

Sometimes I enjoy a particular actor’s dancing because (s)he is simply a good dancer, but this isn’t always true. Sometimes it’s just because the actor is clearly enjoying the number, sometimes it’s the facial expressions, sometimes it’s the emotion, sometimes it’s even the fact that the actor can’t dance to save his/her life (which can be very very amusing).

Anyway, to get to my list… I figure fifteen is a good number – I can probably think of more than fifteen, but I’m just going to put up my very favourite dancers. Also, I think there are going to be, by necessity, waaay more women than men on my list. I’m going to see if I can have at least five males, but it just might be an uphill task.

I should probably also note that choreography is a big factor in a viewer’s perception of a dancer’s skills – in the sense that a really good dancer can’t do very much with really crap choreography, while really good choreography brings the best out of an average dancer.

So, with those caveats, here, in no particular order, are fifteen of my fave Bollywood dancers…


MADHURI DIXIT: Madhuri is a very gifted dancer. Her style is very interpretive and graceful, and she’s very good at using her facial expressions to complement the movements of her body. She can do the more traditional (‘Devdas’) as well as the more contemporary dances (‘Dil to Pagal Hai’) very well. I haven’t seen one of her most famous dances (‘Ek Do Teen’) yet, but I’ve really loved her dancing in just about every one of her movies I’ve seen.

SHAH RUKH KHAN: I think SRK is an excellent dancer. He has such flair for it and seems to look equally good doing just about any type of dance. He also always seems to be enjoying himself. I recently read a Farah Khan interview in which she said that SRK never executes choreography exactly as he’s taught it – he always adds his own style to it and ends up creating a different dance, which the rest of the dancers are then forced to adapt to so that they don’t look out of place dancing with him. I like that.



AISHWARYA RAI: I am not a huge fan of her acting, but Ash can really move. Her dancing is very expressive and elegant, and technically, it’s really hard to fault her. It’s hard to believe that, according to Saroj Khan, Ash was not always a great dancer. She is really good at both traditional (‘Nimbooda’ from ‘Hum Dil De Chuke Sanam’) and contemporary (‘Dayya Dayya Dayya Re’ from ‘Dil Ka Rishta’, 'Crazy Kiya Re' from 'Dhoom II') styles, but I personally think she has more of a flair for the more traditional pieces – but maybe that’s just because I always think she looks better in traditional clothing.

AMITABH BACHCHAN: Purists will probably be appalled to find his name on my list, but I LOVE watching Big B dance. It’s not so much the technical ‘correctness’ of his dancing (although I certainly don’t think he’s a bad dancer, he’s definitely not the most flexible or fluid or accurate) – for me, it’s the sheer joy, energy, exhilaration and ‘abandonment’ of his dancing. For him, dancing really is about expression, and he REALLY enjoys expressing himself with his body. It’s palpable when you watch him dance – his energy, his ‘flow’ with the music – I just adore watching it, even when it doesn’t look quite ‘right’. For a really good example of this, two dances from ‘Laawaris’ really stand out in my memory: ‘Jiska Koi Naheen’ in which he really expresses the defiance and anger of his character in his dancing, and another number (the last one in the film, don’t know what it’s called) in which he really lets it rip and does a fun, very enjoyable dance IN DRAG! For anyone who hasn’t seen that dance, it’s well worth a watch.



REKHA: Rekha is a pleasure to watch – I haven’t seen a lot of her work, but she’d make it onto my list purely on the strength of ‘Umrao Jaan’, in which her movements are exquisite and simply beautiful to watch.



HEMA MALINI: While I’m still on the ‘stars from yesteryears’ tip, I should mention Ms. Hema Malini, who is also always a great pleasure to watch. Her dance training is evident in the precision and elegance of her dancing, and I always adore watching her.

HRITHIK ROSHAN: Back to the present day, and here’s one name no-one will be surprised to find on my list. Mr. Roshan is a fantastic dancer – although at first I didn’t get it, I have to say. When, after his debut movie (‘Kaho Naa… Pyaar Hai’), Farah Khan went on and on about how great he is and how he should be on Broadway, I was like ‘he dances ok but…’ But watching him dance in ‘Lakshya’ totally convinced me. Hrithik really can move, and his timing is excellent. He says he’s no great dance talent but is just very hard working – I think he’s far too modest, which is rather refreshing, actually.


KARISMA KAPOOR: Karisma is a really skilled dancer – she’s particularly good to watch in more energetic numbers. I really enjoyed her work in ‘Dil To Pagal Hai’ (the number in which she and Madhuri do a dance-off is fantastic to watch) and ‘Hum Saath Saath Hain’, and have also liked her dancing in several other films.

AAMIR KHAN: I’m kind of ambivalent about this choice, actually, because I don’t really look forward to Aamir’s dancing in the same way as I look forward to other guys on this list – I’m more interested in his acting. Having said that, though, he is a good dancer, technically-speaking, and I guess I do like watching him dance (just not quite as much as I like watching others). What I really like to see him do is gentler, more 'story-telling' numbers, not 'busy' or frenetic ones - he's a very expressive actor so it's good to see him emote through dance. So for that reason, and also because I’m kinda short of menfolk to add to the list (I'm tempted to add Mr. Mithun Chakravarty but he's soooo 80s!), Mr. Khan stays.

HELEN: The actress who’s often regarded as the greatest movie ‘nautch-girl’ ever, Salman Khan’s stepmother (thanks, Carla!), really had the moves in her heyday. She’s great to watch. My favourite Helen numbers so far are ‘Yeh Mera Dil’ (‘Don’) and ‘Mehbooba Mehbooba’ from ‘Sholay’.

RANI MUKHERJEE: Rani is a little bundle of energy, and I think she really does best in energetic, fast-moving numbers. I always enjoy watching her dance.

TABU: Tabu is on my list because she does elegant and graceful very well, and also manages to do totally wacky (I’ve seen her do very very silly numbers in ‘Vijaypath’ and ‘Hera Pheri’) very well too. Very entertaining.


KAJOL: Okay, I guess at this point it looks like I’m just putting my favourite actors on the list – but I guess that’s because I love watching their dancing just as much as their acting. Kajol’s style is less about technical precision and more about interpretation and emotion. Young and funky, dramatic and poignant, she does it all well. I love watching her dance.



SAIF ALI KHAN: I always enjoy watching him dance, he has really nice energy although he isn't great technically-speaking – really enjoyed his dancing in films like ‘Hum Saath Saath Hain’, ‘Dil Chahta Hai’ and even (I wasn’t too keen on the choreography) ‘Salaam Namaste’.

So I managed to get my self-imposed minimum of five guys onto my list – which means I am free to have a person of either gender as the fifteenth person on my list.


I choose: Priyanka Chopra and Bipasha Basu (yup, a tie). I chose Juhi Chawla earlier and then realised that I must've been on something when I made that choice, because much as I love Ms. Chawla and think she's the cutest woman ever, she cannot dance at all. So Priyanka and Bipasha win the day - Priyanka for her dancing in films like 'Salaam e Ishq', 'Don', 'Krrish', 'Dosti', 'Waqt' and 'Bluffmaster'; Bipasha for 'Beedi Jaila Le' from 'Omkara' (that performance alone is enough to get her on this list) and for other performances like those in 'Dhoom 2' and 'No Entry'.


So that’s my list… which of your favourite dancers have I missed out? I’m sure I haven’t seen enough Bollywood movies to be able to add some of the best dancers… I’ve heard Govinda is a great dancer, but I’ve never seen a Govinda movie. Same goes for Sridevi.. never seen her dance. I also like other actors’ dancing (examples are Zeenat Aman, Parveen Babi, Sushmita Sen and Sonali Bendre), but haven’t yet seen quite enough of their dancing to add them to my list. And while I haven’t seen Vinod Khanna dance a whole lot, I quite like his showmanship (as in, “look at me, I’m so cool and groovy. I'm not a great dancer but I'm so cool anyway”) in the few numbers I have seen him do. I think I’ve seen quite a bit of Preity Zinta’s dancing, and, while I think she’s good, I don’t REALLY look forward to watching her dance. That might well change though, because I can recall that until I watched her performance in ‘Chori Chori Chupke Chupke’, I didn’t particularly enjoy her acting, either. Of course, some may protest the absence of Urmila Matondkar from my list, but, while I liked her dancing in ‘Rangeela’ (not so hot on the choreography, though), I haven’t seen her in much else.

So, suggestions please! I’m particularly interested in suggestions of really good dancers among the male actors, as well as among older generations of actors (whose films I may have not yet seen).

You know, as I’m typing this, I’m also re-watching (more like listening to) ‘Hum Aapke Hain Koun…!’, a film I really love. And (a much younger) Salman dances excellently (IMO) in this film. He also dances well in ‘Hum Saath Saath Hain’. But I’ve so hated his dancing in other films (‘Hum Tumhare Hain Sanam’, for example, and ‘Pyaar Kya To Darna Kiya' – in which he made he stop watching ten minutes into the film thanks to one dance number), that I can’t bring myself to add his name to my list…

Monday, December 18, 2006

TEN RECENT MOVIE-RELATED DECISIONS

Here are 10 things I decided from the last few films I (re-)watched… Bollywood and non-Bollywood.


1. Joaquin Phoenix was better in ‘Walk the Line’ than Jamie Foxx was in ‘Ray’. He deserved to win the Best Actor Oscar – pity he was up against such stiff competition.


2. I will simply never tire of re-watching Steve Carrell and the gang sing and dance at the end of ‘The 40 Year Old Virgin’.

3. Asrani has aged well and is still funny – noticed this from ‘Ball & Chain’ – which is a kinda lame movie.

4. I really want an authentic 100% silk kimono.


5. Randhir Kapoor really reminds me of a big white cuddly teddy bear.


6. Ziyi Zhang (above in ‘House of Flying Daggers’) is a fantastic actress. And the rest of the cast of ‘Memoirs of a Geisha’ is terrific as well.


7. They gave Reese Witherspoon a very cute wardrobe in ‘Walk the Line’. I doubt even the real June Carter Cash worse such fab clothes. Her hair is fab too. And Reese is adorable.

8. Daniel Craig is a really good actor. He actually (to my surprise) makes a good Bond.

9. I am amazed that Amitabh Bachchan can have made so many movies and still be so enthusiastic about film-making.

10. I need to get some more RD Burman music.

Tuesday, December 12, 2006

DILEMMA… (or “a very silly post”, as I’m in a silly mood today)

I really like Ajay Devgan, but I can’t allow myself to have a crush on him – not even a teensy-weensy hemi-demi-semi one.

I like Ajay because he can pull off action hero (“Vijaypath” - was supposed to blog about it today but in too silly a mood to do a review), lover boy (“Ishq”), freedom fighter (“The Legend of Bhagat Singh”), ruthless career criminal (“Company”), honest policeman (“GangaJaal”) and silent, sensitive, nice guy (“Hum Dil De Chuke Sanam”); with equal aplomb. He makes each character believable. Although, in my opinion, he does strong and silent better than anything else, there definitely is some versatility to him. I like his style of acting, full of undertones and somehow kind of dark and just… interesting.

And now that I’ve established that I appreciate his depth as a serious actor, let’s move on to shall we say, ‘shallower’, grounds… ‘brown skin, you know I love your brown skin…’ India Arie sang that, and I must admit I do like Mr. Devgan’s honey-licious skin. I also like his wonky teeth (and the fact that he hasn’t had them straightened). I love that sideways smile he does, that transforms his face everytime he does it. I love it when he does that deadpan look that somehow also comes off as mean. I love that side-parted haircut of his… I think it suits him to a tee. I love his eyes, especially when he gets that intensity behind them. I love that lean mean rangy physique and that unstudied, groovy stride he has. And I like his bum… ooh, but now I feel bad for saying that.

Which brings me to my dilemma… while I like Ajay and think he’s one of the coolest cats in my Bolly-hood, I can’t bring myself to crush on him. Why? Because he’s married to Kajol, probably my fave contemporary Bollywood actress. And because, while I really know nothing about the ‘real’ Mrs. Devgan, from her movies and interviews she seems like just the kind of girl I would like. A fun-loving, creative, interesting, strong, opinionated, funny, feisty female with a slightly eccentric edge. The sort of girl I could picture myself having lunch, catching a movie, and going shopping with. The sort of girl who would be enthusiastic about life and passionate about the things she believes in. She seems like I would like her to have her as a friend. And although that’ll never happen in this lifetime, and she might very well NOT be the sort of person I’d get along with at all, I still like her, and I would still feel TOTALLY guilty for having a crush (even a silly, daft, playful one – as my crushes – and all good crushes - invariably are) on her husband.

Anyway, this is one celebrity marriage I’m definitely rooting for. I think this couple is so cute and talented, and I really hope they find a way to stay together and be happy despite the pressures of fame and career. The rumour mills have been churning out speculations about the state of your union, guys, but please try your best to keep the ‘Kajay’ show on the road. Someone’s rooting for you, Kajol and Ajay.

Kajol and Ajay Devgan on their wedding day.

Monday, December 11, 2006

HILARITY, THY NAME ART ENGLISH SUBTITLES

English subtitles – I have to live with them, as I definitely can’t live without them. I may love Hindi movies, but I certainly don’t love them enough to watch them sans subtitles. It’s just too much work. After just a few minutes of dialogue, my brain starts to hurt and I just am not having fun – and as the main reason I watch Bollywood movies is to have fun, this is unacceptable. So I definitely need my subtitles.

You know, I imagine doing subtitles is not the easiest job in the world, so maybe it’s unfair to gripe about them, but really – certain things about them can be annoying.

1. Minimalism: Sometimes a character says like a million things but they only put one line of text up. Having seen a lot of Hindi films, I’ve picked up a bit of the vocabulary, and oftentimes I can hear a character say something (sometimes a significant ‘something’) which the ‘sub-titler’ just can’t be bothered to translate. Having said that, subtitles can never convey all (or even most of) the subtleties and context of the original language, so maybe I shouldn’t criticise.

2. English subtitles for English speech: Now this is a pet peeve of mine. English is English is English. I hate this practice, and it’s done everywhere, especially on news channels like CNN. Note to 'subtitlers' everywhere: stop making people lazy by subtitling just because someone is speaking English with an unfamiliar accent. People need to start listening… carefully. Different accents are a beautiful thing. We need to learn to live with them – it’s the 21st century, for goodness’ sake (and now I'll get off my soapbox). Usually when they do English subtitles for English speech, the text is totally different from what the speaker is saying anyway.

3. SPG (Spelling, Punctuation and Grammar) errors: I just don’t like them, in any context.

4. Not subtitling the songs: They do subtitle them sometimes, but I wish they always would. The songs are a big part of my movie-viewing experience.

5. White subtitles on a white background (or black subtitles on a black background): I don’t know how many versions of the ‘Ek Rishtaa’ DVD there are, but anyone who’s watched the one I’ve got will be aware of the fact that right at the climax of the movie, the subtitles get lost in Amitabh’s white clothes. As in, it’s absolutely impossible to read them. I also don’t like teeny-weeny subtitles that you need a magnifying glass to read…

But for all their imperfections, and despite the fact that they will never be able to pass across the full meaning of what’s said in a movie (maybe I should just try to learn the language, huh?), I do love my subtitles. In fact, I’ve been spoilt by them – I simply won’t watch a Hindi movie that doesn’t have English subtitles – if it doesn’t, it’s going back to the shop. So they’re essential for me, and apart from that, they’re also often very entertaining, as in hilarious. Just about every Bollywood movie I’ve watched has had a couple of really funny subtitles to enhance my viewing pleasure… here are some from ‘Vijaypath’ (starring Ajay Devgan), which I watched recently and may review in my next post, maybe alongside ‘Indian’ (starring Sunny Deol).


Ha ha... you have to watch the film to 'get' this, but it's just hilarious. And it looks even more hilarious in black-and-white for some reason.

I love this because as a kid I was told not to 'dirty my clothes' so often. I just like the way the words put across that scold-y tone.

Why do these action heroes always make women do these gory things? The things women "have to" do for love in Bollywood movies...


Go on Ajay... show them your 'stupid face'. I like this because I can picture someone saying it.


I just love these lines... and I don't know why.

Really? Ha ha. 'Cos I'm so not.
He actually means 'try and get me out of here fast', well as we say, 'idea is need'. But the bit I love is 'I'm here near the lion' - it just sounds funny.

Sunday, December 10, 2006

BOLLYWOOD KISSES

Kisses, kisses, kisses... I'm a bit bored with it now. Just saw the Hrithik/Ash kiss on YouTube and I thought it was very boring. Couldn't wait for the scene to be over. And Aishwarya seemed so wooden... poor Hrithik put in a valiant effort, but I don't think the whole thing worked. Pity - with all the flak they've gotten for it, it would've been nice if they could at least have been able to say 'well, it was a good scene and it was worth it' (although I'm sure they tell themselves that anyway). Just shows that two unbelievably beautiful people a beautiful kiss doth not make.

Still on kisses, now THIS was a nice kiss. It's gone a long way towards erasing the NASTY Vinod Khanna/Madhuri scene I had the misfortune of stumbling upon (I blogged about it on Friday) from my mind. So I must thank Aamir Khan and Karisma Kapoor for this. I feel so much better now:



Yep, I just saw 'Raja Hindustani'. I've been wanting to see it for a while, and I really enjoyed it. It's one of those staple rich girl/poor boy things, but it's very nicely done... except for the 'lord of the manor' bits Aamir had to do, which were annoying. It's a bit of a silly movie, I guess, but it's very entertaining (the music is really nice), and Aamir and Karisma are very good in it - except for Karisma's singing at the birthday party in the beginning - now I see why Beth described it as 'horrible'. Even Rani's rendition at Amit-ji's party in 'Kabhi Khushi Kabhie Gham' was way better (and that one wasn't good at all - especially the toodooloo bit at the end - what was that?) Anyway, it was a good film and I think I've now liked Karisma in enough movies ('Dil To Pagal Hai', 'Hum Saath Saath Hain', 'Ek Rishtaa' (although I didn't really like her character), 'Jaanwar' (a.k.a. the film in which the 'funny' bits aren't and the parts that are meant to be serious are hilarious) and now 'Raja Hindustani') to add her to my sidebar. She has really good energy, and she puts her heart into her acting (or seems to)... and she can dance (really well).

Back to today's subject, I'm now just bored with kisses (and all the attendant furore) in Bollywood movies... what's in a kiss anyway? It's just... a kiss (except when it's a KISS, which is pretty special - and rare). I think Bollywood does pretty well without them (I know, I know, they DO kiss, but it's certainly far from frequent), but if they simply MUST have them, they're gonna have to do a bit better than Mr. Roshan and Ms. Rai's attempt. Hey, Karisma and Aamir could give lessons and make a mint... 'A & K's Kissing School'.

Friday, December 08, 2006

THE BIRTHDAY POST - ALL ABOUT DHARMENDRA


The basics

Dharmendra was born Dharam Singh Deol on 8 December 1935. He is an acclaimed Bollywood actor and more recently a politician (his wife Hema Malini is a politician as well). He is an MP representing the Bikaner constituency, and he’s a member of the BJP. He was given the Filmfare Lifetime Achievement in 1997, his only major acting award, which seems a bit unfair.

He has four children: Sunny and Bobby with his first wife (both successful actors, Sunny (Dharam's lookalike) moreso than Bobby), Esha and Ahana with Hema Malini. Esha is a moderately successful actress, and apparently her father isn’t thrilled about her choice of career – he once said Bollywood is an unsuitable place for girls. Whatever. Esha calls herself a ‘Daddy’s girl’ – so I guess we have something in common (I’m no fan of hers, so this doesn’t exactly thrill me - props to her on sticking with her career choice though). Dharmendra’s nephew Abhay Deol is also an actor.


Ten Things I’ve Recently Learnt about Dharmendra.

1. Apparently, he’s currently separated from Hema Malini (haven’t confirmed this yet).

2. His first movie was ‘Railway Platform’ (1955). He had a very very small blink-and-you'll-miss-it part.

3. He’s Punjabi – from Phagwara (some sources say Sahnewal - it seems he was born in one and grew up in the other).

4. His first wife was Prakash Kaur. He married her in 1954, and she is Sunny and Bobby’s mother (so I guess that’s who Bobby looks like, huh?)

5. He worked for an American drilling company as a young man.

6. He’s working on developing a hi-tech film city in Jaipur.

7. At the early stage of his career, he was advised by a director to become a hockey player, because he was ‘too muscular’ to be an actor (those were the Shammi Kapoor days). Understandably, he was hurt but not deterred.

8. He was born into a Jat Sikh family but is rumoured to have at some point converted to Islam, changing his name to Dilawar Khan. People have speculated (unconfirmed) that he did this only so he could marry Hema Malini. He’s actually been slapped with a lawsuit as a result of this (marrying a second wife is not permitted under the Hindu Marriage Act) – can’t confirm what the status is on the lawsuit.

9. He’s been criticized for not being a very good politician, and for being absent at house sittings. He admits to not enjoying politics – he enjoyed acting but sees politics as work.

10. Dharmendra’s second marriage to Hema Malini is still the subject of controversy, because there is a perception that it was immoral and unbecoming of a politician and public figure. Dharam hasn’t exactly helped his cause, as he has named Prakash Kaur as his wife on certain documents.


Dharmendra Interview Snippets/Quotes:

'People have learnt the art to hype their movies and their career. They have learnt to project themselves as bigger and bigger stars. And better actors are often left behind, as the others move ahead. It used to be same earlier, but not to this extent. Now there is media to create a lobby. Unfortunately, I am very unfit for all this. I have seen people who have not been in the industry for years, yet they manage to be in the headlines. I am still working here, but I am never mentioned. And neither do I think it necessary to force myself into the limelight.'

I love you just the way you are, Dharam.


'I have been working for nearly 42 years. But in last 5 years, I have worked in films where I did not even know the co-stars or the production unit. I cannot recognize them, even if they try to remind me. This was only because I wanted to face the camera. But we had to make way for the youngsters. We were unfit for the scripts and stories. So I started doing what came my way.'

Aaww… now that’s kinda sad.


'I can sum up my career in a few words. God, or what men call fate, gives few opportunities but man can make the most of it. It is a reward of hard work and dedication, that men call destiny. If you do not believe me you can try it out yourself. Wishes give birth to hope. Successful efforts take on the shape of prayers which have been answered by the heaven.'

Hmm… I wonder if this interview was actually in Hindi, then translated. Because it sounds clunky (‘the heaven?’). But I agree with what he said, very true.


‘I proudly say that I am a product of the media. I would not have become an actor if Filmfare was not there. I owe my success to the media’.

Sucking up or sincerity? Either way, nice.




Two Dharmendra Interviews may be listened to here:

http://ww.smashits.com/video/zoomin/85/interview-with-dharmendra.html

http://www.bbc.co.uk/radio/aod/asiannetwork_aod.shtml?asiannet/sonia_dharmendrarm

HAPPY BIRTHDAY, MR. DEOL!

EMMMMM... NO NO NO NO!

Hmm...

Here I am looking for info for my special 'All About Dharmendra' post to celebrate his birthday (it'll be up later today), when I come across a video on YouTube that is... hmm... well it needs to be seen, I can't really describe it.

I love Madhuri Dixit and I love Vinod Khanna, they are lovely and all that, but the two of them making out... no no no no, it's not a pretty sight. NOT A PRETTY SIGHT! I am trying hard to wipe it from my memory but I think it's lodged there for a while... yuck. There's nothing sexy about this scene, it just looks nasty (well, in my opinion anyway).

Anyway, anyone else who wants to traumatise themselves by watching this scene (not sure what movie it's from), go over to YouTube.com, and search for 'Vinod Khanna Madhuri'. It'll come up. I'm certainly not posting it on my blog, that's for sure.

It's kinda interesting, though, in view of the noise over the Ash/Hrithik kiss... I wonder if anyone got their knickers in a twist over this Vinod/Madhuri scene...

Well... back to work on my Dharam post...

ALL ABOUT DHARMENDRA

This video features my gorgeous Dharmendra with Tanuja Chandra. Very romantic and intense. Enjoy.

Go, go, go, go, go Dharam, it’s your birthday
I’m gonna party like it’s your birthday
Gonna watch your movies like it’s your birthday
And you know I’m ’a have a blast
’Cos that’s your birthday!!

Yes, I’m going to have a little Dharam-party tonight after work – with selected clips from my very miserable selection of Dharmendra movies, plus a nice cold drink and a nice fattening snack. Music of choice? ‘Pehli Nazar Mein Humne’ from ‘The Burning Train’ on repeat, with my other Bollywood favourites as well (I’m currently loving Shaan’s fantastic voice on ‘Main Hoon Don’, as well as some other people’s voices on ‘Koi Tumsa Nahin’ from ‘Krrish’. Of course, my perennial faves like ‘O Saathi Re’, ‘Bole Chudiyan’, ‘Koi Ladki Hai’, ‘Dhadak Dhadak’ and… I’d better stop now or I’ll go on endlessly… ‘Suraj Hua Maddham’ will get a listen as well)...

I must admit that my celebration of Dharmendra may (oh, who am I kidding, it most definitely WILL) be interrupted by a certain other man… but Dharam, you know I wouldn’t let anyone but the extremely intense and compelling (especially when he gets mad) Jack Bauer (supported by the dark-eyed little-boy charm of Tony Almeida and the hunky deep-voiced chocolate-ness of President Palmer - when he was still alive) crash our little shindig. Come on, you can make an exception for Jack, can’t you? (Gosh, I am so silly) Anyway, it’ll certainly be fun celebrating my honey’s birthday tonight… even if I’ll be the only one at the party.

But until tonight, I’m celebrating my dear Dharmendra’s 71st birthday with a post that’s all about him... enjoy.

Thursday, December 07, 2006

GO DHARAM, IT'S YOUR BIRTHDAY!!

...not today, but tomorrow, December 8, is my honey (the term 'my honey' is rather loosely used here, as the man has no idea I even exist) Dharmendra's birthday! He's going to be 71 years tomorrow. So I'm thinking of something to celebrate this man and his accomplishments... will let you know what I decide tomorrow. Go, go, go, go, go hottie (younger Dharmendra) and man I still just admire to bits (older Dharmendra), it's your birthday! I know, I'm getting a bit too excited.