25 THOUGHTS ON 'APNE'…

This is not a review… it’s just a fun post to note down some of my thoughts on ‘Apne’ (the Deol-fest). Some thoughts are sensible (I hope), others silly, but all part of the experience I had seeing the movie. It was really a lot of FUN, for me 'Apne' is a solid all-round entertainer. Many thanks to Nitin ji (of the wonderful chakpak.com) for all his support!

1. The scripting could have been better, tighter – the pacing was off. They tried to do too much in too little time. A lot of scenes should’ve landed on the cutting room floor, to give the better scenes ‘room to breathe’…

2. How cute was Dharam Ji? Yup, he’s still got it.

3. Who was that Igbo guy (“I told you, don’t go near the ring!”)? That was amazingly hilarious!! The guy was quickly christened ‘Chidi’ by the other cinemagoers. Up Naija! Igbo kwenu!!

4. The music was not as bad as I thought it would be – it was actually rather nice. Nice one, Mr. Reshammaiya – I may not be your biggest fan, but I don’t think you did badly at all.

5. The song picturizations were absolutely great (well, except ‘Mehfuz Rakhta Hoon’ – it was just barely ok). I loved that they didn’t try to make poor Sunny dance – the choreography was all really nice and natural, and the placement of the songs flowed well with the story. Dharmendra made me cringe a little, especially when he whipped his shirt out of his trousers – it was so great to see him having fun, though.

6. Ok, ‘cut me, Papa, cut me’ was a bit unnecessary… especially since we didn’t actually see any cutting! I’m torn with this one – on the one hand, as a MASSIVE ‘Rocky’ fan, I’m very appreciative of any nods to the Rocky films; but on the other hand… it was a little bit unnecessary.

7. The girls done good – Shilpa was so cute and I loved her acting (I’m warming to that chick these days). Katrina was lovely as ever, and her acting was not too bad. I didn’t think she could convince me that she was a doctor, but it kinda worked. She needs to work on that Hindi though. Loved the chick who played Dharam’s daughter as well – must find out who she is, I know I’ve seen her in something before...

8. Still on Shilpa, I think it was a silly idea to have her come into Sunny’s match so late… it made no sense in the context of the type of relationship they’ve convinced us that they have. And it just didn't work. ‘He… he’s my husband…’. Blech. (sorry)

9. Ok, so obviously the place they were claiming was the USA was so obviously not… no matter how many times they tried to flash the American flag in our faces. Actually, this is probably a good point at which to state clearly that this movie is NOT realistic. It’s a lot more fun when you realise you can’t make it realistic – it’s just not. It’s just a movie, chill out and enjoy it (at least, that’s what I did).

10. Back to Shilpa, she had Sunny had lovely chemistry together (based on ‘Indian’, in which they co-starred, I was expecting otherwise). It totally worked. Good on them.

11. I’ve always rather liked me some Sunny, he’s a big, brawny, often corny, quiet, tough-guy-softie – and I really liked him here. He was so adorable – his part was really emotional and he totally keyed into the emotion and made you believe him. Loved his fights with the ‘Luca Garcia’ character (angry Sunny rocks!) – and the swearing match with Luca (‘Bleep!’ ‘Bleeeep!!’ ‘Bleeeeeep!!!’) was absolutely hilarious! Loved his fights with his Daddy! Go Sunny! Go Sunny! I need to find me some more Sunny… he’s a guilty pleasure for me now (with all the emphasis on the ‘pleasure’ part).

12. Dharmendra’s character was rather selfish (and a little bit mean) for much of the film – I don’t think anyone could watch this without screaming at him the words ‘get over it, it’s not all about you!!’ at some point. Thankfully, he did redeem himself eventually, but it was all a bit rushed and bogus towards the end. As noted in thought number 1, the big problem of this film was the plot-pacing – they should have devoted less time to his self-obsession and more to him coming to his senses. The ending was a bit WTH?

13. If you don’t like outpourings of emotion, ‘Apne’ is not for you – it might make you gag. I thought the emotion was lovely, it didn’t get in the way of the film, and it just flowed so well from one character to the other. It was all really sweet and natural, the emotion was obviously real and sincere (if sentimental). I loved it. But then, I’m… obviously very partial.

14. Ooh, Dharam broke some glass with his bare hands (like he did in ‘The Burning Train’). Woohoo… I luuurrve it when he breaks glass! And he still does it sooo well…

15. Anyone who doesn’t get excited at Bobby’s miracle moment has a stone for a heart, I tell you. That was maaad exciting! Hot stuff…

16. Bobby bhaiyya, we’ve had this talk before… this longish, curly-furly hair that you so clearly favour does you no favours. You look so much nicer with short hair. And please, go easy on the hair dye and highlights – you must’ve had like 20 different hues in your hair in this film alone. That stuff’s not good for your hair, ok? One day it might all start to break off from all the heat application - all the tweaking, teasing and colouring – and where would that leave you? By the way, you did very well in ‘Apne’. You were rather cute, if slightly cheesy (but hey, it's a Deol-fest - I expected nothing else). Big ups.

17. Two brothers. One is covered in hair all over his chest and back – a veritable pelt. The other’s chest and back? Smooth as a baby’s bottom. Very striking contrast. (Don’t look at me funny, I’m sure everyone else who sees the movie notices this too!) If it’s a wax job in Bobby’s case (and I seriously doubt it – that ish was sooo smooooth), then I want his wax-person’s number (not for my chest of course)… and while he’s at it, he might want to hand it to Sunny too (at least for the rug on his back and shoulders). Ok, enough hair talk. I'm starting to feel grossed out.

18. The flashbacks to Dharam’s character’s boxing youth could’ve been better. They were a bit shoddily done – more work should’ve gone into making it look authentic. They really didn’t have to over-use that same black-and-white photo of young Dharam-ji that’s all over the internet (the said photo is even on this blog, in one of my ‘All About Dharmendra’ posts…)

19. The pacing could’ve been so much better. Some parts felt a bit incoherent and unfinished, some parts felt rushed, some parts were a bit overwrought. But hey, you can’t have it all.

20. The movie was a lot of fun to watch!!! A LOT!!! The drama, the excitement, the emotion… I enjoyed every single minute of it. (How could it have been otherwise?) But it wasn’t just me, (I would probably have been pleased with almost anything, even dross) everyone in the hall (including some people who mentioned that they haven't seen a Hindi movie since they were kids) was laughing, applauding, passing funny comments… there were even a few screams. ‘Apne’ was really entertaining to watch.

21. If you have a problem with boxing, or more importantly, with boxing-related violence, then err... this ain’t for you! It’s not as violent as any of the other boxing movies I’ve seen (contrary to what some reviewers have said, I thought the violence was a bit toned-down), but I guess it’s kinda violent – lots of khoon and fractures and such.

I have a problem with boxing as a sport, but I am a huge ‘Rocky’ fan (go figure) – so the violence did not bother me at all. I loved watching the boxing scenes, and I thought they were very nicely done – I was a bit worried that they’d look horribly fake, but they looked really good for the most part. The make-up was pretty realistic and the Deols obviously did a bit of training for the movie. The punch-sounds were too loud though – but that’s a small quibble. Bigger quibble: the pacing problems of the film affected the boxing bouts – they didn’t seem to know when to cut things short or let things roll out a bit.

But I think, to be absolutely fair: they did very well all told. You can’t expect perfection when a film-maker’s doing something largely unprecedented. Bollywood hasn’t done this kind of stuff before, as far as I’m aware, and they did a very good job when you take that into consideration. They really managed to hold the viewers’ attention – made you feel like you were ringside. Shaabash!

22. How random was the sudden entry of Luca’s girlfriend, and all the “I love you babys”? That was way too random and fake. They should’ve kept that character out of the movie. It would’ve been nice to have her if there’d been time to develop her properly, but there’s only so much you can do in 3 hours…

23. What was with all the ‘Luca, we want blood!’, ‘Luca will eat you alive!’, ‘Luca will kill you, destroy you and send you to hell!’ (ok I made that last one up) signs? That was ridiculous. Oh well, it was funny in a macabre kind of way…

24. Kirron Kher is such a good, consistent actress – totally loved her in this. And she and Dharmendra were really good together – very natural. And Victor Banerjee was really great with Dharmendra too. Dharam ji was just so awesome to watch in general… I loved his performance… I love Dharam ji, I just love the man… I could go on and on about how much I loved watching him… so I’ll just stop.

25. Did I mention how much FUN this movie was? Delightful is the word. It was so much FUN!! LOVED it. Random thought: I loved all the Hinglish parts and the way they switched between languages. I loved when Dharam told Luca he’d pick up the Hindi with time. Fab. The emotional parts got me emotional, the funny parts made me laugh, the clumsy/fake/silly/ridiculous parts (and yes, there were a fair number of those) made me laugh, the action was very exciting… what’s not to love? Nothing, that’s what! I LOVE ‘APNE’!! Ok, brief teenage flashback over…

But… GO DEOL MEN! Ya’ll need to get together and make a sequel or something – or at least another movie with all three of you… (I know, it’s unlikely to happen, but this was so much fun – so I’ll just keep dreaming that they come up with another 3-Deol film, thank you very much…)

‘TAAL’, ‘CHORI CHORI’ AND ‘PYAR KIYA TO DARNA KYA’

There’s been quite a bit of activity in my Bollyworld of recent. I recently watched 3 movies, to be discussed in the lengthy post below. I also saw ‘Just Married’ at the cinema yesterday, to be discussed in my Esha Deol post ('Dharam’s Children' Pt.III), whenever I get round to it. And I have quite a few movies to look forward to in the coming weeks. Yum.

‘TAAL’

I watched ‘Taal’ over the weekend. I like when you can tell that a writer/director has made a film close to his/her heart. With ‘Taal’, Subhash Ghai set out to make a modern story with a strong musical element. The musical element, provided by A. R. Rahman, is indeed strong, with a soundtrack that’s quite varied and a bit adventurous. While I didn’t like every single song, I enjoyed most of them, especially ‘Ishq Bina Kya’, sung with beautiful, emotional nuance by Alka Yagnik. I wasn’t surprised to discover that A. R. Rahman and Alka both won Filmfare awards for this film. In line with his focus on the power of music, Subhash Ghai also gives himself a cute little cameo singing along to his Walkman in a market.

As far as the story goes, it’s nothing ground-breaking. A rich boy named Manav (played by Akshaye Khanna), on a visit to Chamba, falls for a lowly village damsel named Manasi (or Mansi, played by Aishwarya Rai), and she (after a little resistance) returns his affections. When Manasi’s father, a renowned folk singer named Tarababu (played by Alok Nath) finds out, he tries to bring the affair into the open (and to forge suitable family ties) by visiting Manav’s father (played by Amrish Puri), who has lately become a friend. Things don’t go very well during the visit, and Manasi and her father are despondent until they meet a famous pop singer named Vikrant (played by Anil Kapoor), who gives Manasi a shot at fame and a new lease of life. But Manav still wants Manasi, and isn’t prepared to take ‘no’ for an answer (in fact his unshakeable confidence that he will get his Manasi back is a bit weird and annoying).

While the story is nothing new, I like the way it was told. I enjoyed the beautiful scenic shots in Chamba, and I thought the song picturisations were very lovely. As mentioned above, the music is charming, and some of the choreography is very good (some of it is dodgy). While the film as a whole is a bit uneven, with some really good scenes and some bits that were just out of place, I enjoyed the way it was wrapped up. I liked the emphasis on relationships, and the fact that all the relationships in the film got some attention and resolution, from the obvious (Manav and Manasi, Tarababu and Manav’s father), to those that would typically be considered less significant (Manav and Vikrant, Manav and his father, Manasi and Vikrant).

I thought the performances were quite strong. Akshaye Khanna hands in an understated and quite mature performance, and although I found his character very annoying in some parts of the film, I think Akshaye handled him quite well. He lets you see the courage, strength and confidence of the character, although some of that I felt was a bit questionable. He is also quite sweet in some scenes, especially with Ash.

I loved Aishwarya in the first half of the film – or perhaps I should say I loved what Ghai did with her (and the character of Manasi) in the first half. It was an unusual treatment – Ash (nicely stripped down, with wavy, simple hair and little make up) plays an innocent girl becoming aware of herself, the opposite sex (in the person of Manav) and most interestingly, her power over the opposite sex. I like that Manasi was depicted as fighting a battle she not only did not want to win, but one she knew she would eventually rejoice over losing. Ash plays this Manasi well, with a sexual awareness, sensuousness and intensity that is compelling, yet simple and without guile. The second, post-fame and success, meek and a bit majboor, burdened with love and divided loyalties, Manasi we meet in the second half of ‘Taal’, I found much less interesting, because she was someone I’ve seen many times before.

Alok Nath is good with these kinds of roles, and ‘Taal’ is no exception. I especially liked him and Ash in the scene at Manav’s home in Bombay (it was a bit of a stretch, though – I think realistically, most people would have just upped and left after a while). Amrish Puri is very good in his role as well. And there is a sweet little pooch called Brownie who had no wondrous abilities and was just so cute.

But for me, the standout performance in this film is by Anil Kapoor, with a gorgeous, meaty comic role (he won a Filmfare award for it). His character, Vikrant Kapur, is self-consciously over-the-top and dramatic, but also intelligent and even a bit sensitive. Vikrant is a showman, constantly playing ‘pop star’, surrounded by lots of spandex-clad dancers who just never seem to stop dancing and just seem kinda trippy. He even has his dancers on the go when he’s recording songs in the studio. He’s really crazy (his scene expounding his ‘7 Commandments’ is priceless comedy), but somehow you don’t find him annoying or grating (at least, I didn’t). Even when he starts acting out of character (as he does later in the film), he does a funny little scene to remind you he’s still the wacky Vikrant you’ve come to like. And in the midst of all the craziness, there’s a depth to his character that comes through here and there.

This scene was hilarious: 'Arrest him!' 'No, why should I?' 'Arrest him!' 'No!' 'Then dance!' Loved it...

All-in-all, I liked ‘Taal’. Not sure if I’d like to watch it again, but I enjoyed it very much and think Ghai and his team did a good job.

‘CHORI CHORI’

This was such a chore to watch. I just found it flat and bland, there was nothing particularly cute, or sweet, or endearing, or enjoyable about it. It was just a load of ‘blah’ for me. And it’s a bit perplexing for me because the film stars two of my favourite Bollywood actors, Rani Mukerji and Ajay ‘the hotness’ Devgan. I so wanted to like their performances, to enjoy the movie, but it just wasn’t happening.

Let’s start with the obvious – the tagline for this movie is ‘Everyone falls in love’. It should’ve been ‘Everyone falls in love except the stars of this movie’. I did not believe that they fell in love, I could not relate to their angst, torment and emotion, there was less than zero chemistry between them, and it was just… not good. And then the story – it wasn’t charming, or sweet, or witty – although it was obviously trying to be. It wasn’t even offbeat, edgy, black comedy – which I think it was also trying to be. It was just blah – a bit annoying, if anything.

I didn’t like the characters – Rani’s character is meant to be street-smart and sharp, yet somehow likeable (I think). I didn’t feel any of it – I just thought she was such a big fat liar and kept lying with an amazing casualness and ease which I found somewhat appalling. Maybe I need to loosen up, but I didn’t like her at all. Ajay’s character was a big fat bore and just seemed empty, uncaring, selfish and uninteresting – even his excitement and passion was half-hearted. The depiction of Ajay’s family is no more than an unwieldy caricature, and Ajay’s ex, played by Sonali Bendre, really does nothing except look sad/regretful.

The music in the film is not particularly great either. In fact, there’s nothing particularly great about this film. It looks pretty enough, but it lacks heart and substance. And it’s sad, because it has potential (I guess). And because I’m always searching for slightly sensational theories to back up observed phenomena, perhaps the biggest lesson of ‘Chori Chori’ is: never make a romantic movie opposite your cousin’s husband, especially when you and said cousin don’t get on well enough to laugh over a few drinks at the movie launch party.

‘PYAAR KIYA TO DARNA KYA’ (PKTDK)

Once upon a time I tried to watch this film – but then a few minutes into it, a shirtless guitar-playing Salman Khan leapt out at me and I was exasperated. I think I was in one of those I-don’t-want-no-crap moods that day – I skimmed over a few scenes and then just gave up. Looking back, I think I had just suffered through Salman’s ‘Lucky – No Time for Love’, which I absolutely hated – so my Salman tolerance-level must’ve been at an all-time low. Recently, I got a chance to borrow a few DVDs from a fellow Bollywood fan, and there it was in her collection – PKTDK. I thought to myself, why not give it another try? At the very least, you’ll be able to give your ‘slacking’ Dharmendra movie list a much-needed boost. I’m glad I did.

PKTDK, like ‘Taal’, is basically a rich boy (played by Salman) meets and falls in love with lowly girl (played by Kajol) movie. However, on this occasion, the major obstacle to the lovers’ bliss is Kajol’s over-protective and rather violent bhaiyya (played by Arbaaz Khan), who takes fierce delight in battering all of Kajol’s prospects. Salman does not help his case by making a terrible first impression on bhaiyya, and also by being a young, happy-go-lucky kinda fella. Despite his best efforts, bhaiyya remains stubbornly unimpressed. Can’t believe I haven’t mentioned my darling Dharmendra yet, who plays Kajol’s wise and strong chachu, who has looked after her and her brother since the loss of their parents. To cut a long story short, obviously there is much drama but love prevails at the end because the protagonists (Salman in particular) are determined to take risks in the name of love, and not to give way to their fears (hence the title).

I really enjoyed this movie – it was actually fun and kinda sweet. Kajol and Salman both did well, and I think they made a nice couple, surprisingly. The songs are mostly cute. There’s a scene with ‘duplicates’ of Bollywood stars that’s really quite funny. And there are quite a few hilarious subtitles, some of which are showcased below (we always love that!)

Don't know why I love this... I just do.

'Wed me thee'?? If you're going for the Shakespearean approach to subtitling (nothing wrong with that, it's always fun), at least do it right and say 'wed thee me'...

And of course, it was so great to see my Dharmendra kicking bad guys’ behinds and being all fatherly and sweet. And his voice still does ‘it’ for me. If I have any complaints about Dharam in this film, they are (a) it would have been nice to see more of him; (b) his dubbing skills seemed a bit off – there was sometimes a glaring lack of sync – like once his lips said ‘strong boy lakhta hai’, but his voice said ‘he’s a strong boy’ (I think I'm nit-picking); and (c) there were a few ‘voiceless’ scenes where they deliberately don’t let you hear the character’s voices – and I would've liked to hear his. Anyway, whatever, I don’t care enough about this to bother about it much. It was just nice to see him again.

But the craziest thing about watching PKTDK was the realisation that I AM CHANGING (and not in a cute, inspirational I’m-getting-stronger-and-wiser Effie-White-in-Dreamgirls way either). No – I am changing: from a girl who didn’t like Salman at all, to one whose Salman tolerance-level is currently rather high! I mean, the shirtless scene didn’t bother me that much this time. I didn’t wince much at his silly, goofy wiggling-his-bumbum scenes. I wasn’t constantly rolling my eyes at his frequent corniness – OMG! I think he just might be (gasp!) growing on me. I find this very, very, very disturbing.

LIVEBLOGGING 'MOTHER INDIA' (1957)

I must warn that there are some spoilers in this.

00.39 I hereby bestow upon thee the In Praise of All Things Dharmendra-Related award for the most unappealing opening frame ever.

04.11 Awww… you don’t want the pretty garland? Maa, you seem very sad. What gives? Oh, I see... it reminds you of your bridal garland, huh? Flashback time…

07.07 Mr. Groom, you look both terrified and eager… I’d be spooked if I was your dulhan…

09.02 Giving your groom a leg-massage on the wedding night? Oh dear… so who gives you a massage?

10.26 And so the slaving away begins… poor dear, you have to help the in-laws pay off their mortgage…. Not exactly an auspicious welcome.

12.23 Well at least your husband seems nice enough for a coy game or two…

16.23 Hubby seems nice enough, and he’s got a sweet smile… but I get the strong feeling something terrible will happen to him soon.

17.31 Oh goody, a song! It’s about time we had one.

21.14 A little bitty bachcha… awww….

23.00 Oh no… turns out mother-in-law was swindled by the evil money-lender. Injustice!

38.04 I love the gutsiness of this kid. So great.

42.06 Awww… why can’t this sort of sadness and despair be confined to the movies? This movie is a real downer. Nice fake clouds though.

42.27 Radha is a good woman, if I were in this situation, not only would I let my hubby beat the horrible moneylender up, I’d probably join in. But violence solves nothing, and Radha, wise woman that she is, knows this.

43.09 Gotta love this kid. Who played him? I think he’s remarkable.

44.07 Awww… and you were such a good man up till now! Why hit your good wife who has done all she can to support and care for you and the kids? Why? This film is very upsetting.

45.07 Kids are amazingly resilient. The older ones who are more aware of their dire straits are sad, the youngest smiling away. God bless children.

46.09 How beautiful. These people are determined to make me cry.

47.05 It was obvious that something terrible would happen to Shamu – but it’s terribly depressing nonetheless.

48.23 So not PC… but sweet and charming anyway.

50.46 The only phrase I can use to describe this is a kicked around cliché – ‘man’s inhumanity to man’.

56.44 This is just so sad. It’s a good song though.

1.00.07 What? Dadi’s dead too??!! No doubt Shamu’s death was a contributing factor.

1.01.10 Wow, a death, a new life… the circle of life. Eeyah, four kids and only you, Radha?

1.02.03 I love this kid. Bas.

1.03.47 Talk about an iconic image. Wow – great picture. Nargis was bahut khoobsurat.

1.07.42 This looks very DeMillean… nice shot.

1.08.36 Na wa o... in fact e be like say na pidgin wey I go take nack dis one. Oyibo no go do am, dis one don pass me. Wich kain wahala bi dis now? Sufferhead don join bodi.

1.09.06 Wow… powerful imagery – woman and mother, carrying the weight of the world on her shoulders – like some Greek god. The divinity of womanhood.

1.10.16 Oh great, now she has to go and lose her strongest reminder of her dear Shamu as well. There is really no end to Radha’s suffering, is there?

1.14.59 How many women have been forced to make these terrible choices?

1.15.49 Powerful. This is a great performance by Nargis. I will have to look for more of her films now.

1.18.04 Those 3 dots on the chin. I remember Ash had them in ‘Hum Dil De Chuke Sanam’ too. Is it a religious symbol, or cultural or both? I’ve also noticed that a lot of words I’m used to hearing with the ‘z’ sound (ziruddh, zameen) are being pronounced with the ‘j’ sound (jiruddh, jameen) in ‘Mother India’. Is this a different regional dialect of Hindi?

1.19.06 I really hate it when they don’t subtitle the songs, especially when the songs are so significant. And didn’t they subtitle the last song where she was yearning for Shamu? I really need to know what she’s saying here.

1.21.06 Testimony to the woman’s ability to inspire and lead…

1.21.21 They’re big boys now… as an old friend would say, hmmm, how time flies!

1.23.28 Eeyah… wouldn’t it have been great if this could have happened? But life had other plans – plans of hardship and heartbreak…

1.24.28 Again, I so do love this kid! If it weren’t for the ‘be careful what you wish for’ thing, I’d wish for a kid as lively and full of oats as this one!

1.25.04 I’m so loving the music in this film

1.32.04 Wait a minute, wait a minute… so all the ‘ah ah, ooh ooh’ Birju was doing was a ploy to ‘toast’ this girl – to tell her she’s nicer than all the village belles? And here I was thinking he was coming to learn so that he could read Sukhi Lala’s account books… oh, okay he was getting to that part…

1.33.06 Sacrificing so much and yet still getting robbed…

1.38.01 I miss Nargis… she totally dominates this movie… it’s mean, but I really don’t want to see her son’s girlfriend dancing around. But the song is pretty hot.


1.41.31 Awww, this is very pretty. Sunset and shadows…

1.42.43 This is my first Sunil Dutt film – bahut scary aadmi hai. I see where Sanjay gets ‘it’.

1.44.47 Oh dear… super-tragic as it was, I think I’m liking pre-interval ‘Mother India’ better than post-interval ‘Mother India’. It’s getting a tad draggy now. Quit clowning and get to the point, Birju.

1.45.34 Oh that’s so sweet, she really loved her Shamu… can’t blame her, he was kinda sweet, except for that time he hit her…

1.47.31 Apparently Birju is still a kid – he never grew up. Oh my.

1.48.06 I just might be scarred for life after watching this… there’s so much here to make you lose hope in humanity.

1.51.06 Not only did Birju never grow up; he also seems to be off his rocker.

1.57.06 Birju and Radha are so cute together. I’d be sorta jealous if I were Ramu.

2.00.04 I love Nargis. This is such a good performance. This scene is so cute.

2.02.02 Okay okay, what kind of nonsense is this? I’m not watching ‘Mother India’ for bowls of swinging pudding and such messy frivolities; I came here to get ‘edjumacated’… LOL

2.05.04 Birju, why the heck would you go and tell your chief tormentor that your suit has been rejected?

2.11.50 Ramu is living his father’s life. Which means, tragedy is about to strike this family again.

2.13.59 Hell no, Birju. You did NOT just slap your bhabhi. Hell to the no. You should be hung out to dry for that.

2.14.20 I don’t know what’s worse, the fact that Birju slapped her or the fact that Ramu is shrugging it off. Nasty.

2.16.20 Awww, she’s still missing Shamu…

2.18.10 A Holi song – wasn’t expecting one in this film. Nice.

2.20.20 Aww... this kid, I’ve missed you! These flashback/what-might’ve-been scenes are tough to watch – so moving.

2.23.25 Birju is crazy for real. What has possessed him to ruin Holi? I know – it’s love for his mother.

2.24.58 The warning to not argue with men makes me smile – a grim smile. How often have I heard that ‘women shouldn’t argue with men’ spiel – especially in the village?

2.26.20 Okay now this is getting insane – this is really more than enough tragedy!

2.35.06 Okay now this all just too crazy for words…. WTH?!

2.40.28 Talk about a demanding role – this one just takes the cake! Is there anything Nargis hasn’t done in this role?

2.46.09 Oh Birju, what hast thou done to thyself?

2.49.17 Powerful metaphor here on the uses of knowledge, I think.

2.53.03 Ok now that’s just insane – Radha, how COULD you? (I mean, I know why you did it, but still, it's BIRJU??!!) And that horse is just plain nasty.

2.54.04 And here comes the fresh but tainted wave of modernity… washing out the old and bringing in the new? Was the old bad? Will the new be better? Questions with no answers…

This was hard to watch but somehow I know I’ll do it again, to see if I can learn more and dig deeper into the layers of the film, as I’m sure a lot of it has gone straight over my head… I liked the first half of the film better than the second, but the whole film is really good.

THE END

Ok... this, my first liveblog, might also be my last. Who knew liveblogging was such hard work? And with my suckiness at summarising stuff, it's probably not the best option for me. It was fun to try it, though.

My first liveblog…

…will be posted sometime this weekend. I absolutely love and adore liveblogs, especially when they have that great balance of fun, wit, humour, individuality and insight – like the liveblogs that show up here and here, and the one that was recently posted here.

I’ve never done a liveblog, mostly because I know I can’t match up to the quality produced by the bloggers mentioned above, so why try? But I’ve decided to do one about a very unlikely movie for a liveblog… Mehboob's 'Mother India'. ‘Mother India’, starring Nargis in what has become a legendary performance, is not really the kind of film you do a liveblog about – it’s basically a sad story. But I thought it would be interesting to document my experience with it. I thought this was my first experience with it until I watched and realized I’ve seen this movie before, when I was very, very young – and the fact that a few of the images have stayed with me is a testimony to the power of the film.

‘Mother India’ is a very, very popular Indian film here in Nigeria – it’s still showing in cinemas in northern Nigeria. It is the story of a woman, Radha, and her extraordinary (yet, sadly, for many women around the world, not that extraordinary), difficult (to say the least) life. It’s also the story of Shambhu (Radha’s husband), Ramu and Birju (Radha’s children), and Sukhi Lalla, the evil moneylender who oppresses Radha and her family for many years.

Radha is a metaphor for womanhood, motherhood, divinity, faithfulness, perseverance, unconditional love and righteousness. She is also a metaphor for the motherland, India; and for the oppressed and downtrodden, in India and everywhere. She is a metaphor for being a survivor, for overcoming odds, for strength. She is inspirational, she is heartbreaking, she is beautiful, she is also very human. And her story is told very well, with some truly iconic images and sequences, good music, and of course fantastic acting. Some of the themes explored in the telling of Radha's life-story are womanhood, motherhood, religion, education, westernization, modernization, economic development, truth, goodness, self-expression, self-actualisation, independence, freedom from oppression and social justice. And I'm sure there are more that I missed.

Some have described ‘Mother India’ as a feminist film. I don’t see that at all – I don’t feel there is much that’s ground-breaking or radical about the character and representation of Radha, or about the gender-defined roles she fulfils. What’s ground-breaking for me is the degree of attention which is paid to her internal and external struggle, her survival and her story, and this is only possible because of Nargis’ extraordinary performance.

20 reasons why I luuurrve Bollywood...

While I'm on my self-imposed break from the story of how I became enraptured with Dharmendra, I thought I'd just remind myself and everyone else of the reasons why I love with Bollywood. After all, 'twas Bollywood that led me to Garam Dharam...

1. It's pure escapism. I love a movie that succeeds in taking me out of my world for a few hours. I come back into my world feeling refreshed.


2. The music is beautiful. I love the way the movies are scored. I love music and Bollywood loves music too!


3. There is a zest for life in many Bollywood movies that echoes the way I feel about the world and about people.


4. They are nice and clean for the most part... no unnecessary sex or gratuitous violence (although anyone who's seen SRK's 'Koyla' may choose to disagree about the violence).


5. They remind me of how much I love my family.


6. There's always a moral to the story... the movies remind me of important things I want to remember about life.


7. Cheesy they may often be, but I love the fact that they make me laugh, cry, sing, dance and express all my pent-up emotion. Catharsis is very good for the soul!


8. The actresses are so beautiful and so beautifully-dressed, and I get beauty tips, plus general beauty-style-and-grace inspiration, just from watching them.


9. I am intrigued by Indian culture, Indian religions, Indian food, and all things Indian... and Bollywood movies depict India (although this is not strictly true).


10. The actors are kinda hot sometimes. I especially like my SRK.


11. The emotional nature of the movies indulges my innate love for drama... and it's all external to my life. I get to watch and feel the drama without actually being steeped in drama in my everyday life. It's quite cool.


12. There are interesting parallels between the Indian world depicted in Bollywood, and my Nigerian world. (e.g. calling people you aren't related to 'Aunty' and 'Uncle'; the extended family system, respect for elders)


13. They are just so entertaining and FUN!


14. You can watch them over and over again, especially because the music is so lovely.


15. They kept me company during a low period of my life... and did a great job of it.


16. There is a lot of talent in Bollywood: the actors (see my faves list in the sidebar of this blog), the musicians, the playback singers, the stuntsmen, the costumiers, the hair and makeup people, the directors, the choreographers... when it all comes together it's like a colourful Holi festival of creativity.


17. They are unique, different from anything else out there... and for me, different is good.


18. The movies are deep... oftentimes they are multilayered, because of the highly intuitive method of filmmaking. The depth is not forced or over-planned, it's instinctive, and this makes the metaphors and connections even more precious when you find them.


19. They are colourful and can keep your eyes glued to the screen cos there's just so much going on.


20. You get everything in Bollywood: the more commercial 'masala' flicks ("Kuch Kuch Hota Hai"), the more serious ("Black") / offbeat ("Company") pictures, the comedies, the tragedies, the really good movies, the terrible movies ("Insaniyat") ... it's a varied world, contrary to popular perception.
    

I could go on, but it's 20 reasons after all. Bottom line: I LOVE BOLLYWOOD!