POLL RESULT: SRK'S Leading Ladies

I was going to finally do my Bollywood-related-stuff-from-my-trip-to-India post next... but erm... it's not quite ready. (If you'd like to check out non-Bollywood photos from my trip, there are loads on my other blog, check them out here, here and here.) In the meantime, it's time to talk about my latest poll.

Thank you SO MUCH to all you for voting in the SRK-leading-lady poll. I loved the results because they were a little surprising in a good way – the margins were slimmer than I thought they’d be, and our winner didn’t cart off quite as many votes as I’d anticipated. Thanks again for voting.

This is the results post… this has been such a fun poll to watch, and a new one will be going up as soon as I hatch a suitable idea… I hope to come up with something radically different (and female-oriented) for the next one.

The question again was which of 11 listed female actors you consider to share the best onscreen chemistry with Mr. Shahrukh Khan…

KAJOL: No surprises here. The unibrowed-one captured 54 of your votes, to win this poll. SRK and Kajol have actually only done a handful of films together, but almost all of them have been super-hits (some have even attained iconic status), with the pair leaving an indelible mark on the minds and hearts of audiences worldwide. From ‘Baazigar’ to ‘Karan Arjun’ to ‘Dilwale Dulhania Le Jayenge’ (DDLJ), to Kuch Kuch Hota Hai (KKHH)’, to ‘Kabhi Khushi Kabhie Gham’ (K3G), this couple has always struck just the right note.

I think what makes the SRK/Kajol work is that they look great together (two unconventionally attractive and interesting-looking people), they are both good at expressing the emotions of their characters, and they have a great vibe between them – so that whether its humour or trauma or passion or drama; they just bounce off each other and make their jodi both believable and lovable. I have loved all the SRK/Kajol pairings that I’ve seen, and I have a very soft spot for the picturisation of ‘Suraj Hua Maddham’ from K3G, a film which (ironically) is not one of my favourite SRK/Kajol films (for me, DDLJ and KKHH are much better films) – I simply love SRK and Kajol in that song.

RANI MUKERJI: Again, this actress has made just a few movies with Shahrukh Khan, but apparently those few movies have made such an impact that Rani has received a very decent score of 32 votes in this poll, second only to her cousin Kajol. I think Rani is a very different kind of actress from Kajol; where Kajol is more instinctive and gives freer rein to the emotions of her characters, Rani is more thoughtful and controlled. But I think SRK is equally adept at creating a vibrant and interesting dynamic between himself and each of the very talented and lovely Mukerji cousins.

In her first pairing with King Khan, Rani played Tina, the third character in the KKHH love triangle. Since then, she’s had memorable performances opposite him in ‘Kabhi Alvida Naa Kehna’ (KANK), ‘Paheli’ and ‘Chalte Chalte’ (as you can see from my screencaps, I love the picturisation of ‘Tauba Tumhare’ to bits). And I should also mention ‘Veer Zaara’ – I think Rani and SRK did a great job together even though they weren’t THE couple of the film.

JUHI CHAWLA: I have to say I love SRK and Juhi together. In fact, if I were to vote alone in this poll, Juhi and Kajol would tie for first place, and Rani would be second. Kyun ki I absolutely love Shahrukh Khan with Juhi. I think they are just excellent together. What I like best about this jodi is the sheer fun and joy that they exude together in most of their films together (with the exception of ‘Darr’, of course, in which SRK’s character basically hunted ‘K-k-kiran’ down – I actually liked them both in ‘Darr’ as well).

Juhi and SRK are so cute together, adorable really; and they always just seem to be laughing and having a blast, making me (the viewer) want to jump right in and join them. Their real-life friendship really shines through. SRK/Juhi have shared the spotlight in films like the oh-so-fun ‘Yes Boss’ (‘Main Koi Aisa Geet Gaon’ is one of my favourite Hindi movie songs ever, and I just think SRK and Juhi are tres cute and charming in the film), ‘Raju Ban Gaya Gentleman’, ‘Duplicate’, ‘One 2 Ka 4’, ‘Phir Bhi Dil Hindustani’ and ‘Ram Jaane’. The cute Juhi garnered 28 of the votes cast in this poll, to come in third… very close to Rani.

MADHURI DIXIT: The gorgeous Mrs. Dixit-Nene grabbed 15 of all the votes cast in the poll, putting her in fourth position. I’m a huge fan of Mads, I think she is so awesome – she’s just a star in every sense of the word. And one of the great things about her is her professionalism, the way she throws herself into every performance and does her best to create the right dynamic between herself and her leading men. Sometimes the chemistry is so convincing that it’s unforgettable, as in the otherwise-unmemorable ‘Dil’ with Aamir Khan; but even when it’s not quite that striking, it’s still thoroughly convincing.

I’ve liked Madhuri and SRK together in the films I’ve seen in them in together (not as much as I’ve liked either of them with other actors though), and I think that’s down to their hard work, professionalism and star quality. Films which have featured Ms. Dixit and Shahrukh Khan in lead roles include ‘Koyla’ (I really liked them together in this), ‘Dil To Pagal Hai’ (which I loved more for the Madhuri/Karisma dynamic than for the Madhuri/SRK jodi, actually), ‘Devdas’ (not a great pairing here in my opinion, but a great performance by Madhuri), the oft-criticised ‘Anjaam’ and the pretty darn awful ‘Hum Tumhare Hain Sanam’.

PREITY ZINTA: As far as I know, SRK and Preity have only co-starred in a movie thrice – they’ve shared the marquee in ‘Veer Zaara’, ‘Kal Ho Naa Ho’ (KHNH) and KANK. In KANK, they aren’t a romantic couple even though they’re playing a married couple, so I would guess that Preity earned 12 of the votes cast in this poll (placing her in fifth position) on the strength of her memorable pairings with Shahrukh in ‘Veer Zaara’ and KHNH.

I am not a HUGE fan of Preity, but I do think she’s a good actress given the right roles, and I think her performance as Zaara in ‘Veer Zaara’ was one of her best. SRK also handed in a superb performance. One striking thing about this couple is the way they were able to portray such a strong emotional bond so well… there wasn’t too much physicality or even sentimentality about them in the film, but they still made you believe in their prem kahani. Great job by both actors. I am less enamoured with Preity’s performance in KHNH (and with the film in general) – I really liked Saif Ali Khan’s dynamic with SRK in the movie, but I was less taken with SRK and Preity as a couple. I still think that they were still pretty good together in the film – and I actually loved the melodramatic scene in the storm (after Preity’s character discovers the truth).

SUSHMITA SEN: Up next is the gorgeous Ms. Sen, in sixth position with 7 of the votes cast. She and Mr. Khan (in a nice, age-appropriate pairing) burned up the big screen in ‘Main Hoon Na’. I remember thinking how nice it was to see these two more mature characters together, both just enjoying their mutual chemistry and doing the whole silly-serious thing. I also thought they were too cute together with the whole sexy-teacher thing and the spontaneous-bursting-into-song thing… I just thought they were great together and played off each other well. Ram and Miss Chandni were really into each other and they were also having fun. Works for me.

AISHWARYA RAI: In seventh position, we have the poised and beautiful Aishwarya Rai, with 5 votes. The lovely Mrs. Bachchan has co-starred with SRK in films like ‘Devdas’, ‘Mohabbatein’, and ‘Josh’ (in which they play siblings). This jodi also had a very memorable dance number together in ‘Shakthi - The Power’. The thing that struck me about this number was that although both dancers were technically brilliant (two of my favourites, actually) and executed some very difficult moves extremely well, the whole thing just didn’t move me. It was like a very beautiful work of art that just doesn’t speak to your heart. I think this is true of a lot of the work SRK and Ash have done as co-stars – beautiful but sorta ‘soulless’ and just not very interesting or compelling. I think they just don’t make a very good couple for some reason. (But she was great opposite Hrithik Roshan in 'Dhoom II' and Akshaye Khanna in 'Taal' (well the first half of it, anyway)).

There are three actors in eighth position, and each one garnered 1 vote in the poll -

MANISHA KOIRALA: ‘Dil Se’ is a film that is difficult to forget – in addition, it’s not happy viewing, it’s disturbing and leaves you wanting some comfort food or a phone conversation with your mama… it’s very tough viewing – especially at the end. But at the centre of it all, we find two central characters that, when they encounter each other, bring home to us all the pain, longing, angst and suffering that are such a reality of our world. I think Shahrukh and Manisha did some amazing work in this brilliant film – I think Ratnam chose just the right cast for his story. Manisha also acted opposite SRK in ‘Guddu’, which I haven’t seen.

SHILPA SHUKLA: This actress, who played the fiery senior player Bindya Naik from ‘Chak De! India’ handed in a very strong performance. I really liked this young lady opposite SRK, she just did the business and ‘brought it’. No-nonsense acting. Not a single sign that she was over-awed by SRK’s star presence. The scene in the locker room was excellent – the way they eyeballed each other. Loved it! And it seems that at least one of you liked it too.

GAYATRI JOSHI: I really liked this elegant actress with a very restrained mien in ‘Swades’. What I liked about the couple in this film was that both the man and the woman were mature – no silly childish mucking around. Gayatri’s character came to SRK’s character when she was good and ready, and she told him exactly how she felt about him – with no hysterics or unnecessary emotion, but quietly and with conviction – like you would expect from her strong, independent character. She knew what she wanted and I loved that. I really liked Gayatri and Shahrukh together in this film. And at least one person agreed, which is cool.

And finally, down at number nine, we have -

MAHIMA CHAUDHARY: To the best of my knowledge, Mahima and SRK have only done ‘Pardes’ (which my mother calls ‘I love my India’ after the film’s super-saccharine signature number) together… ‘Pardes’ is not that bad, but I didn’t like it much either. For me, it was a one-watch-only kinda movie. It was Mahima’s first film, though, and her performance struck me as being quite young and fresh. I think she and SRK were good together, but not memorable, which I guess explains why she didn’t pick up any votes in this poll.

So that’s it… I would have liked to have Bebo in the poll to see how many votes she’d have picked up, but it skipped my mind until it was too late to include her. I actually liked her opposite SRK in ‘Asoka’. Anyway, we’re done with this poll… another will be up soon! Take care…

MY TEN: RANKING DHARMENDRA MOVIES (Part 1)

I'm suspending the follow-up to my 'Wedding Fever' post for the moment… I will come back to it soon… need to deal with something else first…

I’ve missed this blog… yes I have… for the entire month of July I can boast of a grand total of 1 post… been too busy working my butt off and basically running around like a bleary-eyed chicken with half its head cut off, to do much blogging.

On the more fun side, I’ve also been going to bridal showers and weddings (yes, the fever's still raging), meeting fellow bloggers (always interesting), and getting reacquainted with old ‘friends’; like the fab Neetu Singh, who I recently saw in ‘Deewaar’ (I had almost forgotten how much I love her, and speaking of ‘Deewaar’, it totally rocks, and I will come back to this point), and the Jackson 5 on ‘Maybe Tomorrow’ (isn’t it just fabulous when you’ve been away from a song you adore for a while, then you re-discover it and it feels like you’re in music heaven? I compare it to the feeling of being re-united with a long-lost lover and finding out (s)he loves you even more than (s)he did back then, although of course I know nothing aboutwhat that feels like)… but now I am rambling…

Now that I've gotten that pointless paragraph out of the way and rather randomly indulged the Neetu admiration a little, I can get down to the nitty-gritty of this post. My first post this month is all about Dharam-ji, the inspiration behind this blog – not surprising since he’s been on my mind a lot these days; not that he’s ever far from it – but ‘Apne’, his latest film with his sons Sunny and Bobby, has been released and I’ve been longing to see it. ‘Partner’ is currently showing at Nu Metro (I might catch it, I hear it's not half bad) and ‘Jhoom Barabar Jhoom’ is on at City, but there was no sign of the possible fulfilment of my Dharam dreams... until last week, when I received a very gratifying text message from my friend Uzo, with the long-awaited good news (drumroll please), that the Deol men will be kicking it at Silverbird.

Anyway, I have now seen 10 Dharmendra films (I know, still way too few for a person who has a blog dedicated to the man), and I thought it might be fun to rank them in order of preference… I mean, I’m never going to be here again. Of course, I will be seeing ‘Apne’ very very soon. I also have ‘Ram Balram’ at home, waiting for me to find the time to watch it – it’s a Dharam/Big B movie, from the 70s I think. I’ve watched a little bit of it and can confidently say it’s not quite a ‘Sholay’, but it's looking good and I’m looking forward to it.

This idea is not mine (the good ones rarely are). Credit goes to Carla (of the wonderful Filmi Geek and Sounds Like Power sites, both of which I am compelled to visit daily because they are just so good; she also has the Geek of All Trades blog which deals with her varied non-filmi interests - from African music to baseball to languages - and more). Carla loves Shabana Azmi and is putting together a 'Geek's Guide' to Shabana's movies.

So here’s my list… this is going to be incredibly tough because I like all these movies, for different reasons… I should probably note that I am ranking these movies based on two major criteria, both of which are equally important to me – the quality of the movie, and the quality of the Dharam-liciousness. So some movies that I would ordinarily regard as better overall just might take a backseat to the ones that have more 'Dharmendra-power'. And of course there is the power of sentiment and personal connection (and, I might as well just admit it… hotness), which may trump more, ummm, rational factors. You’ll see what I mean in a minute (I think).

Anyway, starting from number 10:

10.

Sadly, ‘Anpadh’ brings up the rear – sadly, I say, because I actually like this movie. And it is a very noble film, aimed at promoting the importance of female education and the trials women often undergo simply because of their gender. The film preaches education and enlightenment as a tool of empowerment for women. The late Nutan Behl, one of my favourite Indian actresses, puts in a strong, heartbreaking performance as the ‘anpadh’ who is thoroughly taken advantage of and wronged because of her lack of education. All good so far – but my, is this a dreary, sad film. It’s all a bit 'too' overwrought.

And then there's a young Dharam (the youngest I've seen him, so far)… playing a young (and immature), educated man who is semi-forced to marry an illiterate girl (his parents' eyes are on her substantial dowry). He marries her, and at first is captivated by her beauty, until he discovers his dulhan cannot read or write, cannot cook (yes, the omnipresent every-wife-must-cook idea rears its ugly head yet again), and generally can't do much of anything. He then proceeds to be horrible to her, until one fateful day, when he discovers how sweet and kind and forgiving she really is….. Expectedly, he falls in love with her and teaches her to read and write (in between stolen kisses and coy glances). Just when they are really happy, he dies in a tragic car crash and his wife continues to be confronted with misery after misery…

Dharam looks beautiful (yes, beautiful) in black-and-white here, good enough to eat really…but his part is rather short, and for most of it he's playing a shallow, unkind, inconsiderate prat… so this isn't really one of my fave Dharam performances. And the fact that 'Anpadh', for all its noble social commentary and well-crafted performances, did not really ‘capture’ me in general; keeps it down at the bottom of my list…

9.

At number 9, we have 'Pyaar Kiya To Darna Kya' – starring Kajol, Dharam-ji, and the Khan brothers (Salman and Arbaaz)…. Again, there isn't a whole lot of Dharmendra in this film. He plays a loving chacha who also happens to be a bit of a badass – for all his innocuous looks, he does not hesitate to beat up any goon who dares to threaten his family.

This was my first taste of 'older' Dharmendra onscreen – and I was so busy enjoying the fact that I was watching my hero, that I would probably have been happy watching him watch paint dry; but the truth is, he doesn't get a chance to do much in this film – rightly so, because the storyline is about the young lovers and he's a minor character. I also had some issues with his dubbing. Having said all that, though, it's quite a good, believable performance by Dharmendra, in a film I enjoyed far more than expected.

8.

Number 8 – and it's 'Jugnu'… a masala flick from the early 70s, starring Dharmendra and Hema Malini. 'Jugnu' is not a bad film, but it's not exactly all that, either. Dharam plays an action-hero type, an almost legendary thief who steals from the rich and uses the proceeds to run an orphanage and do other nice things. Hema (in a very good performance) plays the feisty daughter of a police chief. She first clashes with, and then falls for, our thief. 'Jugnu' has a lot of the 'right' elements – some good comedy, some exciting sequences (Jugnu's daring heists are not badly staged) and some good music (by SD Burman). But there's also stuff in there that's not so good – some cheesy one-liners, some poor plot pacing in the script, some scenes that were frankly boring, and a mysterious sort of fading-in/fading-out chemistry between the leads. I did like the fact that our ‘jugnu’ got his comeuppance in the end.

As I said, it's not a bad movie by any means, and the second half definitely trumps the first half; but it's no classic either. Dharam's performance could've been better – he seemed a bit uninspired sometimes, especially in the first half of the film…. 'Jugnu' just left me thinking it could've been better scripted, less tacky, tighter, fresher, more fun, more… something… but at the end of the day, it's quite watchable, and I guess that's good enough for some movies.

7.

Look for any potted biography of Dharam-ji, and you'll probably find a reference to his badly made 'muscle man' disaster flicks from the 80s. Most such biographies will tell you that making these movies was a huge mistake for Dharmendra because they lessened his credibility and umm… made him look a bit ridiculous. They might also mention that these films were basically B-movies with lots of cheesy special effects, screaming heroines that were much younger than Dharam-ji (a fact he apparently was quite proud of), and dodgy storylines…

My lucky number 7, 'Ghazab', might well be classified as one such movie. 'Ghazab' is a movie about twins – not a fun masala ride like 'Ram aur Shyam' or 'Seeta aur Geeta', but quite a sad one. One of the twins dies and then comes back as a ghost to beg his brother (hitherto unaware of his existence) to avenge his death. In a rather icky twist, the avenging twin ends up hooking up with the girl (played by Rekha) that the dead twin was in love with when he was alive. Want more weirdness? Avenging brother gets possessed by spirit of dead twin at some point, the girl 'they' love goes bananas then gets well again… and so on.

As my last paragraph shows, 'Ghazab' is certainly not for everyone. It's a little bit silly. But at times I could not help but laugh at the comedy between the twins and the silliness of a lot of the film. And the sad parts are actually rather poignant. The pacing of the story was quite good as well, actually – it held my attention all the way through. Plus there are a couple of cute songs in there – in particular, 'Jaane Jigar' is still remembered in Nigeria by a lot of people (forgot to mention that 'Ghazab' is one of the more popular Hindi films in Nigeria). Dharmendra's performance is interesting to me in this film, because he throws himself into the role, and it totally comes across to the viewer. His aptitude for comedy comes through, as does his affinity for physicality. I found 'Ghazab' very entertaining, and I will definitely watch it again.

6.

At number 6 is 'Seeta aur Geeta', in which Dharmendra takes a bit of a backseat to the fabulous Ms. Hema Malini. Hema basically runs away with this film, in which she plays a pair of very different twins. Dharam plays the love interest of one the twins. He's a happy-go-lucky gypsy-type who is more scarred by his past than he would ever dare to admit. Sanjeev Kumar (star of another famous twin-movie, 'Angoor', which I've just started watching – it's very funny so far) gets a bigger part than Dharam-ji in 'Seeta aur Geeta', mostly because Dharam gets the quiet twin who doesn't do much of anything, whereas Sanjeev gets the fun, feisty, fan-hopping twin, who's much more entertaining to watch (although the quiet twin was hilarious in the scene where her aunt dressed her up in some crazy clothes and forced her down the stairs – but I digress)…

The point I'm trying to make is that Dharam comes in a slightly distant third to Hema's ownership of the movie and Sanjeev's comic role as the feisty twin's love-interest. Dharmendra doesn't get that much screen time, but he does very well with what he's got – one of my favourite scenes is his side-splittingly funny reaction to the quiet twin's dive into the river. He's rather mischievous and cute with his little gold earring, and he plays his part in this enjoyable romp of a movie well. At the end of the day though, it’s Hema ki film.

So that's the bottom 5 of my top ten (and only ten). Five films are left for me to arrange in order of preference: 'Chupke Chupke', 'Guddi', 'Sholay', 'The Burning Train' and 'Life in a… Metro' (or is it ‘Life… in a Metro’? Whichever). Which do you think will be my number one? Which do you think will be my number five? (To be honest, I have no idea at this point!) If you have seen some of these movies, I would love to know you would rank them!!

At the very beginning of this post, I raved about 'Deewaar'… I was going to do a review of this film, but if you've been to Filmi Geek or The Bollywood Music Club recently, you'll find wonderful reviews that do it far more justice than I could ever hope to. If you haven't checked those sites out in the past few days, then you must – they've done a great job of summing up just what's so good about 'Deewaar' – it's just a really, really good film. (After reading the reviews, do yourself a big favour: find a copy of the movie and see for yourself how good it is).

Since Sanket and Carla have done such a fab job with reviewing this movie, I was gonna pack it in and move on to the next topic, until I realised that... aha... I've got something that those reviews, wonderful as they are, haven't got (isn't that, sort of, a line from 'The Wizard of Oz'?)… and that something is... screencaps galore! (and, I am forced to admit, multiple references to hotness, but that kinda follows on from the screencaps...)

So anyway, up next will be a very screencappy review of 'Deewaar'…

‘TAAL’, ‘CHORI CHORI’ AND ‘PYAR KIYA TO DARNA KYA’

There’s been quite a bit of activity in my Bollyworld of recent. I recently watched 3 movies, to be discussed in the lengthy post below. I also saw ‘Just Married’ at the cinema yesterday, to be discussed in my Esha Deol post ('Dharam’s Children' Pt.III), whenever I get round to it. And I have quite a few movies to look forward to in the coming weeks. Yum.

‘TAAL’

I watched ‘Taal’ over the weekend. I like when you can tell that a writer/director has made a film close to his/her heart. With ‘Taal’, Subhash Ghai set out to make a modern story with a strong musical element. The musical element, provided by A. R. Rahman, is indeed strong, with a soundtrack that’s quite varied and a bit adventurous. While I didn’t like every single song, I enjoyed most of them, especially ‘Ishq Bina Kya’, sung with beautiful, emotional nuance by Alka Yagnik. I wasn’t surprised to discover that A. R. Rahman and Alka both won Filmfare awards for this film. In line with his focus on the power of music, Subhash Ghai also gives himself a cute little cameo singing along to his Walkman in a market.

As far as the story goes, it’s nothing ground-breaking. A rich boy named Manav (played by Akshaye Khanna), on a visit to Chamba, falls for a lowly village damsel named Manasi (or Mansi, played by Aishwarya Rai), and she (after a little resistance) returns his affections. When Manasi’s father, a renowned folk singer named Tarababu (played by Alok Nath) finds out, he tries to bring the affair into the open (and to forge suitable family ties) by visiting Manav’s father (played by Amrish Puri), who has lately become a friend. Things don’t go very well during the visit, and Manasi and her father are despondent until they meet a famous pop singer named Vikrant (played by Anil Kapoor), who gives Manasi a shot at fame and a new lease of life. But Manav still wants Manasi, and isn’t prepared to take ‘no’ for an answer (in fact his unshakeable confidence that he will get his Manasi back is a bit weird and annoying).

While the story is nothing new, I like the way it was told. I enjoyed the beautiful scenic shots in Chamba, and I thought the song picturisations were very lovely. As mentioned above, the music is charming, and some of the choreography is very good (some of it is dodgy). While the film as a whole is a bit uneven, with some really good scenes and some bits that were just out of place, I enjoyed the way it was wrapped up. I liked the emphasis on relationships, and the fact that all the relationships in the film got some attention and resolution, from the obvious (Manav and Manasi, Tarababu and Manav’s father), to those that would typically be considered less significant (Manav and Vikrant, Manav and his father, Manasi and Vikrant).

I thought the performances were quite strong. Akshaye Khanna hands in an understated and quite mature performance, and although I found his character very annoying in some parts of the film, I think Akshaye handled him quite well. He lets you see the courage, strength and confidence of the character, although some of that I felt was a bit questionable. He is also quite sweet in some scenes, especially with Ash.

I loved Aishwarya in the first half of the film – or perhaps I should say I loved what Ghai did with her (and the character of Manasi) in the first half. It was an unusual treatment – Ash (nicely stripped down, with wavy, simple hair and little make up) plays an innocent girl becoming aware of herself, the opposite sex (in the person of Manav) and most interestingly, her power over the opposite sex. I like that Manasi was depicted as fighting a battle she not only did not want to win, but one she knew she would eventually rejoice over losing. Ash plays this Manasi well, with a sexual awareness, sensuousness and intensity that is compelling, yet simple and without guile. The second, post-fame and success, meek and a bit majboor, burdened with love and divided loyalties, Manasi we meet in the second half of ‘Taal’, I found much less interesting, because she was someone I’ve seen many times before.

Alok Nath is good with these kinds of roles, and ‘Taal’ is no exception. I especially liked him and Ash in the scene at Manav’s home in Bombay (it was a bit of a stretch, though – I think realistically, most people would have just upped and left after a while). Amrish Puri is very good in his role as well. And there is a sweet little pooch called Brownie who had no wondrous abilities and was just so cute.

But for me, the standout performance in this film is by Anil Kapoor, with a gorgeous, meaty comic role (he won a Filmfare award for it). His character, Vikrant Kapur, is self-consciously over-the-top and dramatic, but also intelligent and even a bit sensitive. Vikrant is a showman, constantly playing ‘pop star’, surrounded by lots of spandex-clad dancers who just never seem to stop dancing and just seem kinda trippy. He even has his dancers on the go when he’s recording songs in the studio. He’s really crazy (his scene expounding his ‘7 Commandments’ is priceless comedy), but somehow you don’t find him annoying or grating (at least, I didn’t). Even when he starts acting out of character (as he does later in the film), he does a funny little scene to remind you he’s still the wacky Vikrant you’ve come to like. And in the midst of all the craziness, there’s a depth to his character that comes through here and there.

This scene was hilarious: 'Arrest him!' 'No, why should I?' 'Arrest him!' 'No!' 'Then dance!' Loved it...

All-in-all, I liked ‘Taal’. Not sure if I’d like to watch it again, but I enjoyed it very much and think Ghai and his team did a good job.

‘CHORI CHORI’

This was such a chore to watch. I just found it flat and bland, there was nothing particularly cute, or sweet, or endearing, or enjoyable about it. It was just a load of ‘blah’ for me. And it’s a bit perplexing for me because the film stars two of my favourite Bollywood actors, Rani Mukerji and Ajay ‘the hotness’ Devgan. I so wanted to like their performances, to enjoy the movie, but it just wasn’t happening.

Let’s start with the obvious – the tagline for this movie is ‘Everyone falls in love’. It should’ve been ‘Everyone falls in love except the stars of this movie’. I did not believe that they fell in love, I could not relate to their angst, torment and emotion, there was less than zero chemistry between them, and it was just… not good. And then the story – it wasn’t charming, or sweet, or witty – although it was obviously trying to be. It wasn’t even offbeat, edgy, black comedy – which I think it was also trying to be. It was just blah – a bit annoying, if anything.

I didn’t like the characters – Rani’s character is meant to be street-smart and sharp, yet somehow likeable (I think). I didn’t feel any of it – I just thought she was such a big fat liar and kept lying with an amazing casualness and ease which I found somewhat appalling. Maybe I need to loosen up, but I didn’t like her at all. Ajay’s character was a big fat bore and just seemed empty, uncaring, selfish and uninteresting – even his excitement and passion was half-hearted. The depiction of Ajay’s family is no more than an unwieldy caricature, and Ajay’s ex, played by Sonali Bendre, really does nothing except look sad/regretful.

The music in the film is not particularly great either. In fact, there’s nothing particularly great about this film. It looks pretty enough, but it lacks heart and substance. And it’s sad, because it has potential (I guess). And because I’m always searching for slightly sensational theories to back up observed phenomena, perhaps the biggest lesson of ‘Chori Chori’ is: never make a romantic movie opposite your cousin’s husband, especially when you and said cousin don’t get on well enough to laugh over a few drinks at the movie launch party.

‘PYAAR KIYA TO DARNA KYA’ (PKTDK)

Once upon a time I tried to watch this film – but then a few minutes into it, a shirtless guitar-playing Salman Khan leapt out at me and I was exasperated. I think I was in one of those I-don’t-want-no-crap moods that day – I skimmed over a few scenes and then just gave up. Looking back, I think I had just suffered through Salman’s ‘Lucky – No Time for Love’, which I absolutely hated – so my Salman tolerance-level must’ve been at an all-time low. Recently, I got a chance to borrow a few DVDs from a fellow Bollywood fan, and there it was in her collection – PKTDK. I thought to myself, why not give it another try? At the very least, you’ll be able to give your ‘slacking’ Dharmendra movie list a much-needed boost. I’m glad I did.

PKTDK, like ‘Taal’, is basically a rich boy (played by Salman) meets and falls in love with lowly girl (played by Kajol) movie. However, on this occasion, the major obstacle to the lovers’ bliss is Kajol’s over-protective and rather violent bhaiyya (played by Arbaaz Khan), who takes fierce delight in battering all of Kajol’s prospects. Salman does not help his case by making a terrible first impression on bhaiyya, and also by being a young, happy-go-lucky kinda fella. Despite his best efforts, bhaiyya remains stubbornly unimpressed. Can’t believe I haven’t mentioned my darling Dharmendra yet, who plays Kajol’s wise and strong chachu, who has looked after her and her brother since the loss of their parents. To cut a long story short, obviously there is much drama but love prevails at the end because the protagonists (Salman in particular) are determined to take risks in the name of love, and not to give way to their fears (hence the title).

I really enjoyed this movie – it was actually fun and kinda sweet. Kajol and Salman both did well, and I think they made a nice couple, surprisingly. The songs are mostly cute. There’s a scene with ‘duplicates’ of Bollywood stars that’s really quite funny. And there are quite a few hilarious subtitles, some of which are showcased below (we always love that!)

Don't know why I love this... I just do.

'Wed me thee'?? If you're going for the Shakespearean approach to subtitling (nothing wrong with that, it's always fun), at least do it right and say 'wed thee me'...

And of course, it was so great to see my Dharmendra kicking bad guys’ behinds and being all fatherly and sweet. And his voice still does ‘it’ for me. If I have any complaints about Dharam in this film, they are (a) it would have been nice to see more of him; (b) his dubbing skills seemed a bit off – there was sometimes a glaring lack of sync – like once his lips said ‘strong boy lakhta hai’, but his voice said ‘he’s a strong boy’ (I think I'm nit-picking); and (c) there were a few ‘voiceless’ scenes where they deliberately don’t let you hear the character’s voices – and I would've liked to hear his. Anyway, whatever, I don’t care enough about this to bother about it much. It was just nice to see him again.

But the craziest thing about watching PKTDK was the realisation that I AM CHANGING (and not in a cute, inspirational I’m-getting-stronger-and-wiser Effie-White-in-Dreamgirls way either). No – I am changing: from a girl who didn’t like Salman at all, to one whose Salman tolerance-level is currently rather high! I mean, the shirtless scene didn’t bother me that much this time. I didn’t wince much at his silly, goofy wiggling-his-bumbum scenes. I wasn’t constantly rolling my eyes at his frequent corniness – OMG! I think he just might be (gasp!) growing on me. I find this very, very, very disturbing.

MOVERS AND SHAKERS

This post is about some of my favourite Bollywood movers and shakers… and I don’t mean the moguls and power-brokers of the industry – I mean the actors and actresses who know how to move and shake their bodies…

I am a huge fan of dance, and dance in Bollywood movies certainly provides a lot of entertainment. It’s a mixed bag, from the subdued to the extra-extra-EXTRA-OTT, from the traditional to the contemporary, from the solo to the group dances, from the elegant to the wacky, from the talented dancers to the terrible (Rishi Kapoor or Sunny Deol, anyone?) and just about everything in between. There are of course, certain ‘staples’: the ‘item numbers’ (often involving ‘nautch girls’) that show up in a lot of movies, the romantic dances for two in the hills or by fountains, the huge ensemble numbers, the contemplative/introspective numbers that are often used to move the plot along… and so on.

Sometimes I enjoy a particular actor’s dancing because (s)he is simply a good dancer, but this isn’t always true. Sometimes it’s just because the actor is clearly enjoying the number, sometimes it’s the facial expressions, sometimes it’s the emotion, sometimes it’s even the fact that the actor can’t dance to save his/her life (which can be very very amusing).

Anyway, to get to my list… I figure fifteen is a good number – I can probably think of more than fifteen, but I’m just going to put up my very favourite dancers. Also, I think there are going to be, by necessity, waaay more women than men on my list. I’m going to see if I can have at least five males, but it just might be an uphill task.

I should probably also note that choreography is a big factor in a viewer’s perception of a dancer’s skills – in the sense that a really good dancer can’t do very much with really crap choreography, while really good choreography brings the best out of an average dancer.

So, with those caveats, here, in no particular order, are fifteen of my fave Bollywood dancers…

MADHURI DIXIT: Madhuri is a very gifted dancer. Her style is very interpretive and graceful, and she’s very good at using her facial expressions to complement the movements of her body. She can do the more traditional (‘Devdas’) as well as the more contemporary dances (‘Dil to Pagal Hai’) very well. I haven’t seen one of her most famous dances (‘Ek Do Teen’) yet, but I’ve really loved her dancing in just about every one of her movies I’ve seen.

SHAH RUKH KHAN: I think SRK is an excellent dancer. He has such flair for it and seems to look equally good doing just about any type of dance. He also always seems to be enjoying himself. I recently read a Farah Khan interview in which she said that SRK never executes choreography exactly as he’s taught it – he always adds his own style to it and ends up creating a different dance, which the rest of the dancers are then forced to adapt to so that they don’t look out of place dancing with him. I like that.

AISHWARYA RAI: I am not a huge fan of her acting, but Ash can really move. Her dancing is very expressive and elegant, and technically, it’s really hard to fault her. It’s hard to believe that, according to Saroj Khan, Ash was not always a great dancer. She is really good at both traditional (‘Nimbooda’ from ‘Hum Dil De Chuke Sanam’) and contemporary (‘Dayya Dayya Dayya Re’ from ‘Dil Ka Rishta’, 'Crazy Kiya Re' from 'Dhoom II') styles, but I personally think she has more of a flair for the more traditional pieces – but maybe that’s just because I always think she looks better in traditional clothing.

AMITABH BACHCHAN: Purists will probably be appalled to find his name on my list, but I LOVE watching Big B dance. It’s not so much the technical ‘correctness’ of his dancing (although I certainly don’t think he’s a bad dancer, he’s definitely not the most flexible or fluid or accurate) – for me, it’s the sheer joy, energy, exhilaration and ‘abandonment’ of his dancing. For him, dancing really is about expression, and he REALLY enjoys expressing himself with his body. It’s palpable when you watch him dance – his energy, his ‘flow’ with the music – I just adore watching it, even when it doesn’t look quite ‘right’. For a really good example of this, two dances from ‘Laawaris’ really stand out in my memory: ‘Jiska Koi Naheen’ in which he really expresses the defiance and anger of his character in his dancing, and another number (the last one in the film, don’t know what it’s called) in which he really lets it rip and does a fun, very enjoyable dance IN DRAG! For anyone who hasn’t seen that dance, it’s well worth a watch.

REKHA: Rekha is a pleasure to watch – I haven’t seen a lot of her work, but she’d make it onto my list purely on the strength of ‘Umrao Jaan’, in which her movements are exquisite and simply beautiful to watch.

HEMA MALINI: While I’m still on the ‘stars from yesteryears’ tip, I should mention Ms. Hema Malini, who is also always a great pleasure to watch. Her dance training is evident in the precision and elegance of her dancing, and I always adore watching her.

HRITHIK ROSHAN: Back to the present day, and here’s one name no-one will be surprised to find on my list. Mr. Roshan is a fantastic dancer – although at first I didn’t get it, I have to say. When, after his debut movie (‘Kaho Naa… Pyaar Hai’), Farah Khan went on and on about how great he is and how he should be on Broadway, I was like ‘he dances ok but…’ But watching him dance in ‘Lakshya’ totally convinced me. Hrithik really can move, and his timing is excellent. He says he’s no great dance talent but is just very hard working – I think he’s far too modest, which is rather refreshing, actually.

KARISMA KAPOOR: Karisma is a really skilled dancer – she’s particularly good to watch in more energetic numbers. I really enjoyed her work in ‘Dil To Pagal Hai’ (the number in which she and Madhuri do a dance-off is fantastic to watch) and ‘Hum Saath Saath Hain’, and have also liked her dancing in several other films.

AAMIR KHAN: I’m kind of ambivalent about this choice, actually, because I don’t really look forward to Aamir’s dancing in the same way as I look forward to other guys on this list – I’m more interested in his acting. Having said that, though, he is a good dancer, technically-speaking, and I guess I do like watching him dance (just not quite as much as I like watching others). What I really like to see him do is gentler, more 'story-telling' numbers, not 'busy' or frenetic ones - he's a very expressive actor so it's good to see him emote through dance. So for that reason, and also because I’m kinda short of menfolk to add to the list (I'm tempted to add Mr. Mithun Chakravarty but he's soooo 80s!), Mr. Khan stays.

HELEN: The actress who’s often regarded as the greatest movie ‘nautch-girl’ ever, Salman Khan’s stepmother (thanks, Carla!), really had the moves in her heyday. She’s great to watch. My favourite Helen numbers so far are ‘Yeh Mera Dil’ (‘Don’) and ‘Mehbooba Mehbooba’ from ‘Sholay’.

RANI MUKHERJEE: Rani is a little bundle of energy, and I think she really does best in energetic, fast-moving numbers. I always enjoy watching her dance.

TABU: Tabu is on my list because she does elegant and graceful very well, and also manages to do totally wacky (I’ve seen her do very very silly numbers in ‘Vijaypath’ and ‘Hera Pheri’) very well too. Very entertaining.

KAJOL: Okay, I guess at this point it looks like I’m just putting my favourite actors on the list – but I guess that’s because I love watching their dancing just as much as their acting. Kajol’s style is less about technical precision and more about interpretation and emotion. Young and funky, dramatic and poignant, she does it all well. I love watching her dance.

SAIF ALI KHAN: I always enjoy watching him dance, he has really nice energy although he isn't great technically-speaking – really enjoyed his dancing in films like ‘Hum Saath Saath Hain’, ‘Dil Chahta Hai’ and even (I wasn’t too keen on the choreography) ‘Salaam Namaste’.

So I managed to get my self-imposed minimum of five guys onto my list – which means I am free to have a person of either gender as the fifteenth person on my list.

I choose: Priyanka Chopra and Bipasha Basu (yup, a tie). I chose Juhi Chawla earlier and then realised that I must've been on something when I made that choice, because much as I love Ms. Chawla and think she's the cutest woman ever, she cannot dance at all. So Priyanka and Bipasha win the day - Priyanka for her dancing in films like 'Salaam e Ishq', 'Don', 'Krrish', 'Dosti', 'Waqt' and 'Bluffmaster'; Bipasha for 'Beedi Jaila Le' from 'Omkara' (that performance alone is enough to get her on this list) and for other performances like those in 'Dhoom 2' and 'No Entry'.

So that’s my list… which of your favourite dancers have I missed out? I’m sure I haven’t seen enough Bollywood movies to be able to add some of the best dancers… I’ve heard Govinda is a great dancer, but I’ve never seen a Govinda movie. Same goes for Sridevi.. never seen her dance. I also like other actors’ dancing (examples are Zeenat Aman, Parveen Babi, Sushmita Sen and Sonali Bendre), but haven’t yet seen quite enough of their dancing to add them to my list. And while I haven’t seen Vinod Khanna dance a whole lot, I quite like his showmanship (as in, “look at me, I’m so cool and groovy. I'm not a great dancer but I'm so cool anyway”) in the few numbers I have seen him do. I think I’ve seen quite a bit of Preity Zinta’s dancing, and, while I think she’s good, I don’t REALLY look forward to watching her dance. That might well change though, because I can recall that until I watched her performance in ‘Chori Chori Chupke Chupke’, I didn’t particularly enjoy her acting, either. Of course, some may protest the absence of Urmila Matondkar from my list, but, while I liked her dancing in ‘Rangeela’ (not so hot on the choreography, though), I haven’t seen her in much else.

So, suggestions please! I’m particularly interested in suggestions of really good dancers among the male actors, as well as among older generations of actors (whose films I may have not yet seen).

You know, as I’m typing this, I’m also re-watching (more like listening to) ‘Hum Aapke Hain Koun…!’, a film I really love. And (a much younger) Salman dances excellently (IMO) in this film. He also dances well in ‘Hum Saath Saath Hain’. But I’ve so hated his dancing in other films (‘Hum Tumhare Hain Sanam’, for example, and ‘Pyaar Kya To Darna Kiya' – in which he made he stop watching ten minutes into the film thanks to one dance number), that I can’t bring myself to add his name to my list…

DILEMMA… (or “a very silly post”, as I’m in a silly mood today)

I really like Ajay Devgan, but I can’t allow myself to have a crush on him – not even a teensy-weensy hemi-demi-semi one.

I like Ajay because he can pull off action hero (“Vijaypath” - was supposed to blog about it today but in too silly a mood to do a review), lover boy (“Ishq”), freedom fighter (“The Legend of Bhagat Singh”), ruthless career criminal (“Company”), honest policeman (“GangaJaal”) and silent, sensitive, nice guy (“Hum Dil De Chuke Sanam”); with equal aplomb. He makes each character believable. Although, in my opinion, he does strong and silent better than anything else, there definitely is some versatility to him. I like his style of acting, full of undertones and somehow kind of dark and just… interesting.

And now that I’ve established that I appreciate his depth as a serious actor, let’s move on to shall we say, ‘shallower’, grounds… ‘brown skin, you know I love your brown skin…’ India Arie sang that, and I must admit I do like Mr. Devgan’s honey-licious skin. I also like his wonky teeth (and the fact that he hasn’t had them straightened). I love that sideways smile he does, that transforms his face everytime he does it. I love it when he does that deadpan look that somehow also comes off as mean. I love that side-parted haircut of his… I think it suits him to a tee. I love his eyes, especially when he gets that intensity behind them. I love that lean mean rangy physique and that unstudied, groovy stride he has. And I like his bum… ooh, but now I feel bad for saying that.

Which brings me to my dilemma… while I like Ajay and think he’s one of the coolest cats in my Bolly-hood, I can’t bring myself to crush on him. Why? Because he’s married to Kajol, probably my fave contemporary Bollywood actress. And because, while I really know nothing about the ‘real’ Mrs. Devgan, from her movies and interviews she seems like just the kind of girl I would like. A fun-loving, creative, interesting, strong, opinionated, funny, feisty female with a slightly eccentric edge. The sort of girl I could picture myself having lunch, catching a movie, and going shopping with. The sort of girl who would be enthusiastic about life and passionate about the things she believes in. She seems like I would like her to have her as a friend. And although that’ll never happen in this lifetime, and she might very well NOT be the sort of person I’d get along with at all, I still like her, and I would still feel TOTALLY guilty for having a crush (even a silly, daft, playful one – as my crushes – and all good crushes - invariably are) on her husband.

Anyway, this is one celebrity marriage I’m definitely rooting for. I think this couple is so cute and talented, and I really hope they find a way to stay together and be happy despite the pressures of fame and career. The rumour mills have been churning out speculations about the state of your union, guys, but please try your best to keep the ‘Kajay’ show on the road. Someone’s rooting for you, Kajol and Ajay.

Kajol and Ajay Devgan on their wedding day.

BLOG STATS

I like to look at my blog statistics from time to time, just to get a feel for who’s been around, and what they’ve been looking for. The Google search terms people have entered (and have found my blog as a result) are the most fascinating stats.

Most often, the search terms are Dharmendra-related (seeing as this is – technically – a blog in praise of all things Dharmendra-related). Typical ones (paraphrased): ‘Dharmendra and Hema’s Bollywood romance’, ‘Dharmendra: Bollywood star as father’, ‘Dharmendra fan’, ‘Dharmendra handsome superstar’, ‘Best Dharmendra films’, etc. The most interesting Dharmendra-related one I’ve come across so far is: ‘Why Hema Malini still looks sexy’. I love that one. Not exactly sure what the Googler was hoping to find (night cream, milk baths, lotion, love, hair oil, sunshine, religion, dance?), but… it’s interesting.

There are other Googlers in search of a bit of Bollywood goss: ‘Friendship between Kajol and SRK’ was a recent one; and there’ve been things like ‘Juhi and SRK relationship’, ‘Kareena Kapoor said … (can't remember what)’ and ‘Aamir Khan marriage’ in the past as well…

Some Googlers are just looking for info on (and pictures from) their fave movies – there’ve been loads of ‘Yeh Vaada Raha’ Googlers, as well as a few ‘Dil Ka Rishta’ fans. Most Googlers that hit upon this blog are just interested in their favourite movie stars (apart from Dharmendra). There’ve been (paraphrased) terms like ‘Jaya and Amitabh Bachchan acting couple’, ‘Amitabh Bachchan best movies’, ‘Abishek Bachchan in Bluffmaster’, ‘Ash pictures in Veer Zaara and Hum Dil De Chuke Sanam’, ‘Jaya Bhaduri movies’, ‘Jaya Bachchan has said Kajol is a great actress’ (I agree), and so on.

And how can I forget the Monalisa Chinda and Mike Ezuruonye fans who always come by to nick my screencaps (from the Nollywood guest blog I did a while back). Can't hate though, I'm just glad that Nollywood actors have such a strong fanbase.

I know this is a slightly random post, but that’s one of the things I like about the internet…. Randomness is always encouraged.