MY FAVOURITE MALE BOLLYWOOD STARS OF THE 70s

Thanks for checking out my list of my favourite 70s actresses, and for letting me know who your faves are! So now it’s time to talk about the guys… the men whose 70s movies I love.


• Rajesh Khanna

Rajesh Khanna’s film career was like a shooting star – brief but bright! In the years when he ruled the Indian box office (and hearts everywhere), it was pure mania.

I love 70s Rajesh – handsome, romantic, funny, and unique. He had a vibe that was just different from the other leading men of the time. I even love his trademark head-shake and the trademark RK ‘look’. Funky, fun and often more than a little camp, he captured ‘70s groove’ really well. He was a better actor than he’s given credit for these days. He was also usually good fun to watch, which is very important in my book.




Unfortunately, Rajesh’s lack of versatility as an actor (basically, he sucked at dishoom-dishoom), along with the rise of the ‘angry young man’ I’ll be talking about next, brought his reign as the King of Bollywood to a quick end in the 70s. And the less said about his more recent work, the better. I try very hard not to think about it!


• Amitabh Bachchan

No one can argue that the big B is a Bollywood icon. My darling mother, who was not a Bollywood fan, came across me watching ‘Do Aur Do Paanch’ a few years ago, and said to me, ‘how come that guy is in every Indian movie you watch?’ Mr. Bachchan is special to me because when I became re-acquainted with Bollywood about 5 years ago, he was one of the few Hindi film actors I remembered from my childhood. His camp action-adventure, ‘Mard’, was one of the first Hindi movies I saw as a child. And it’s interesting to think that even now, in his late 60s, he’s still going at it and dishing out great performances like his excellent turn as Auro in last year’s ‘Paa’ (he just won the Filmfare Award for Best Actor for his performance).





Regardless of what one may think of him, his filmography alone is proof that his status as a legend of Hindi cinema is well-deserved. I personally love the guy – I love his passion for films, and how he flings his long limbs into every role with almost reckless abandon. I love his versatility and the intensity with which he tackles each role, even the silly ones. I love that distinctively deep voice, those lanky limbs and those dark and unconventionally handsome looks. I think he can be a little pompous, a little self-absorbed, and more than a little self-righteous, but I can live with those flaws. I may call his wife the most talented Bachchan, but there’s no doubt in my mind that the big B is very talented as well – and more importantly, he’s extremely committed to and focused upon his craft.




Anyway, Amit ji did a lot of really great films in the 70s, the decade in which his stellar career really took off. Often dark, brooding and intense, he deftly created his trademark ‘Angry Young Man’ persona. From Hrishikesh Mukherjee’s ‘Anand’ (1971), the film that really got him noticed, to ‘Kaala Pathar’ (1979), he did it all in the 70s: from OTT masala (‘Amar Akbar Anthony’ – his comedy in this is classic!), to marital drama (‘Abhimaan’, opposite his then-newlywed wife, Jaya Bhaduri), to moving melodrama (‘Mili’). He played a brooding poet (‘Kabhi Kabhie’), a tortured policeman (loved him in ‘Zanjeer’), hardened criminals (‘Sholay’, ‘Muqaddar ka Sikandar’, ‘Faraar’, ‘Deewaar', ‘Don’), a shy professor (‘Chupke Chupke’)… the list goes on and on…. He worked with the top directors, the hottest leading ladies, and some lesser-known names… and he left a lasting mark on the Bollywood of the 70s.


• Dharmendra

Now everyone knows that I adore Dharmendra… he’s the reason I started this blog! I could wax lyrical about all the reasons I love him, but I’ve done that many times before… so I’ll just point you to my post on his 70s career, if you haven’t read it yet… the 70s were my favourite decade when it comes to Dharmendra films, although as Bollyviewer commented, the quintessential Dharmendra decade is more like 1965 to 1975. Here's a funny screencap from 'Chupke Chupke':



• Rishi Kapoor

Rishi was such a sweetheart in the 70s. With those earnestly cute eyes and that impish smile, he was absolutely adorable - I always just want to hug him when I watch his 70s flicks. He had great screen presence and there was always something so sincere and likeable, so charming and personable, about him in those days. Sweetness aside though, in some of his roles, notably ‘Mera Naam Joker’, ‘Bobby’ and ‘Kabhi Kabhie’, he also captured youthful love, teenage lust and a generous helping of 70s rebellion in a way that no-one else did.



From his unforgettable debut as an awkward schoolboy becoming a man in his father Raj’s ‘Mera Naam Joker’; to his equally unforgettable role as the title character opposite a luminous Dimple Kapadia in ‘Bobby’; to his youthful and fun roles opposite future wife Neetu Singh (loved them together in ‘Khel Khel Mein’, 'Kabhi Kabhie’, ‘Amar Akbar Anthony’, ‘Doosra Aadmi’ and others)… there are so many gems among Rishi’s 70s flicks, and I love them.



• Vinod Khanna

I like to call him sexy Vinod. Because that’s what he is! To be honest, when I watch his 70s films, the young Vinod Khanna doesn’t actually have to say or do anything to make me happy. Just looking at him – from those dark, intense, heavy-lidded, beautifully-framed, brown eyes, to the dimple in his chin, to his beautiful physique – that’s enough for me. When he doesn’t smile, he’s scorching hot. When he smiles, everything in his face lights up. He’s a gorgeous man, and as you can probably tell, I could talk about how hot he is for ages, but I’ll spare you… partly because I’ve probably embarrassed myself enough already, and partly because he’s a lot more than a pretty face.


He was a really good actor too in his heyday – from the learned and anguished friend of ‘Muqaddar ka Sikandar’; to the serious policeman of ‘Amar Akbar Anthony'; to the intensely, evil-but-hot bandit of ‘Mera Gaon Mera Desh’; to the stylish young stud of ‘Mere Tulsi Aangan Ki’, he just… gave all his roles that special touch… you know what, I give up - the truth is, I obviously can’t talk about this guy ‘seriously’. He just makes me melt. Sadly, I don't have many screencaps of sexy Vinod, and the pictures I've come across on the net don't do him justice; but happily, Veracious has lots of lovely ones here.

The indomitable Pran almost made this list – he was such an icon of the 70s! I love the villainous roles he played with such relish, always leaving his indelible mark on just about every film he did, even the really bad ones. I just LOVE Pran (cue gratuitous screencap)!



So, the women are done and the men are done... that’s it on my fave actors from the 70s. There are other actors from the 70s that I love: Sanjeev Kumar (brilliant actor!) and Parveen Babi (such a babe!), for example. Even Rishi’s uncle, Shashi Kapoor, who some of you are probably thinking I just forgot to mention! But hey, one must stop somewhere….

So… those are my favourite Bollywood actors from the 70s…. Who would you choose?

OF SARKAR, SARKAR RAJ... AND BABA IBADAN

After writing this, I realised that it's a bit of a downer... not very auspicious considering that I haven't posted anything in months... but it's what's on my mind so I guess it has to be said.... Hopefully the next post will be all nice and light and cheerful....

Interesting how one can find parallels in the strangest places... when I heard that 'Sarkar Raj' was coming to a cinema near me, I knew I wanted to see it. I've been a bit starved of good Bollywood fare lately, and the prospect of three Bachchans doing some 'serious' acting in a Ram Gopal Verma thriller sounded pretty good to me. Because I am slightly anal about doing things 'sequentially', I of course had to watch 'Sarkar' (Ram Gopal Verma's 2005 film) first... and I really enjoyed it. I have talked about the fact that I like Ram Gopal Verma's work before on this blog, and for me 'Sarkar' was a really striking and stylish (typical RGV) piece of storytelling, with really solid performances.

Seeing 'Sarkar Raj' at the cinema was a lot of fun - I went with a bunch of colleagues from work, some of whom are not Bollywood fans and therefore came a bit reluctantly... everyone enjoyed the movie (phew!), and Abhishek Bachchan even gained a new fan! We got all wrapped up in the suspense and drama and generally had a good time together. I thought that the performances were very strong and the story was compelling and moved at a good pace.

The 3 Bachchans all did extremely well, I thought (I loved Amit-ji's scenes with Abhishek, they were really poignant and beautifully-acted in my opinion, and I thought Ash held her own as well), and the rest of the cast supported them well also. I liked how the film dealt with the complexities of family relationships and the emotions that govern them, picking up pretty well from where the first film left off. I also liked how the film delved even deeper into the motivations of the characters in their seemingly endless quest for power - I thought it was really well done.

My quibble (and it was a small one) was with the cardboard-cutout-ness of the villains - I found them a bit too caricatured, and that took away something from the rawness of the film, I thought. Caricature villains are alright in an OTT masala flick, but in a dark, edgy RGV film, I think they could've done with just a little toning down. Also, as is quite typical with RGV, I think that a couple of times he went a lil' overboard with the 'stylisation' of some scenes (but then, that very adventurousness, even when it goes overboard, is really one of things I quite like about RGV). Anyway, I thought 'Sarkar Raj' was a great watch and I'm actually quite looking forward to watching it again when it's released on DVD.

I am not going to say much more about either 'Sarkar' or 'Sarkar Raj'... I think that RGV's films tend to be the love-it-or-hate-it kind - if you have a big problem with onscreen violence or you find films about political intrigues, dhokhas and divided loyalties boring, then you probably won't enjoy either film - but if you fancy grappling with the difficult issues that these gritty, dark films tackle, then you'll probably enjoy them (well, perhaps 'enjoy' is the wrong word - let's say you'll probably find them interesting).

What I actually want to talk about is the parallels between certain aspects of the Sarkar films, and the life and times of a recently deceased national figure here in Nigeria. Alhaji Lamidi Adedibu recently passed away at the age of 80. Adedibu, known as 'the strongman of Ibadan politics' was a very controversial figure in Nigerian politics.

To some people (particularly the members of his party), Adedibu was a statesman, a philanthropist and a man of the people who helped to unify the Yoruba-speaking Western part of the country. Much is made by these advocates of the fact that Adedibu fed many inhabitants of the city of Ibadan daily meals for a number of years, completely free of charge. To many others, however, he was a troublemaker who actually worked to divide the region, by using an army of weapon-wielding goons to wreak violence, terror and havoc upon any members of the community who dared to disagree with his political views. Those free daily meals at Adedibu's mansion, some say, were not an act of charity - rather they were just a part of the 'incentives' used by Adedibu to 'mobilise' his band of thugs.

One thing is for sure, though, Adedibu was a political 'godfather', and he himself admitted boldly that he used his considerable political might to place his anointed godsons in positions of power. There is no doubt that Adedibu exercised a huge amount of influence in Oyo State, where he lived and (some say) reigned. For a man with no governmental position or constitutional power, it boggles the mind that he was (in my opinion) able to basically hound a state governor out of power and then replace him with his very own puppet....

At the beginning of 'Sarkar', there's a quote that says something about a power rising when things fall apart. I think that speaks just as eloquently to the real-life Adedibu situation in Oyo State as it does to the movie-world Maharashtra of RGV's movies, where the fictional Sarkar, the gunda-leader with no respect for the rule of law, holds sway. And I think it's sad... very sad.

BEFORE ‘DEEWANGI DEEWANGI’…

…there was ‘John Jaani Janardhan’, from ‘Naseeb’ (1981). For ‘John Jaani Janardhan’ Manmohan Desai (who also directed ‘Amar Akbar Anthony’), managed to assemble a small galaxy of stars for a fun music-and-dance number. He didn’t round up quite as many stars for the number as Farah Khan did for Om Shanti Om’s ‘Deewangi Deewangi’, but he did manage to reel in some pretty impressive fish. There was the iconic Raj Kapoor, along with his brother Shammi, and his son Randhir. There was my beloved Dharmendra, Simi Garewal, a very cute Sharmila Tagore, Mala Sinha, Vijay Arora, Dev Kumar, Waheeda Rehman, Bindu and Rakesh Roshan (back in his acting days), along with some lesser-known stars (who knew there was a Simple Kapadia? Dimple I know, but Simple?). And of course there was Amitabh Bachchan, playing the character of the song’s title, John Jaani Janardhan.

I love this number – I especially love the end of the song where the stars all break into a freestyle dance… Raj moves into a graceful waltz, the ladies shimmy prettily, and Dharmendra does this really bad but oh-so-cute strut thingy – he looks like a total wally, but a cute one. Mr. Bachchan is great in this song – he makes it such OTT and silly fun, just as much fun as his equally memorable ‘My Name is Anthony Gonsalves’ from ‘Amar Akbar Anthony’.

Unlike ‘John Jaani Janardhan’, though, the rest of ‘Naseeb’ does not quite equal the superb craziness of its 1977 predecessor, ‘Amar Akbar Anthony’. The gags are not quite as funny, the structure of the film is not quite as tight, a few parts of the plot fall a bit flat, and it doesn’t have quite as much overall charm. But it’s a fine and thoroughly engaging masala film nonetheless, with a fabulous, bubbly and fun soundtrack by Laxmikant-Pyarelal. I had lots and lots of fun with ‘Naseeb’ – I found it really entertaining.

There are loads (as in LOADS) of similarities between ‘Naseeb’ and ‘Amar Akbar Anthony’ – I’ve already mentioned the fact that in both films Amitabh Bachchan is the star of a song that’s all about the character he plays in the film. Also, in both films there’s a drunken monologue by Amit ji (in AAA, he speaks to his reflection in the mirror, in ‘Naseeb’ he speaks to a bottle – the monologue in AAA was way funnier).

Both films explore the theme of unity among three religions – Hinduism, Christianity and Islam. This is evident in Bachchan’s character’s name, John Jaani Janardhan (‘Johnny’ for short). It’s also evident in the insignia on the three rings worn by Johnny’s father, Namdev, played excellently by the actor I love to call the Pran-tastic one, whom I always just adore watching for his sheer and utter… camp-ness. The religious tolerance theme is also reflected in the role of the kindly Mrs. Gomes in the lives of Johnny and his brother Sunny (who is played by an adorable and simply on-point Rishi Kapoor – I am very much in the minority on this one, I know, but I think he’s a wonderful actor – the mid-to-late ’80s were not at all kind to him, but at the time of this film I think he was at the top of his game – but I digress). It’s also evident in the relationships of the film, both ‘fraternal’ and romantic; as well as (repeatedly) the imagery and sets.

The similarities between ‘Naseeb’ and AAA go on and on…there are three male leads in both films, and in both films the three male leads must find and win their respective lady-loves. In both films, there are storylines involving past and continuing battles among the fathers of the three male leads, and in both films the fathers are separated from their sons…. And of course, both films share some of the same cast… Amitabh Bachchan, Pran and Rishi Kapoor are back for ‘Naseeb’. Even the funny character called ‘Zebesko’ is back!

IMDB tells me that Desai had hoped to cast Vinod Khanna, the third member of the AAA trio, in ‘Naseeb’, as Johnny’s best friend Vicky. Khanna wasn’t making films at the time, though – so the role of Vicky went to Shatrughan Sinha, whom I think did a good job. His character was a bit ridiculous, but hey, a lot about this film (and this is another similarity between it and AAA) is very ridiculous indeed. Ridiculous… but such fun.

Like the character of ‘Don’, played by an impeccably-coiffed but very evil Amrish Puri. Watching ‘Naseeb’ reminded me that there’ll simply never be another Amrish Puri – who else could play evil so gleefully and with such stylish abandon? I thought this line was funny, especially in view of Amitabh Bachchan’s ‘Don’, which was released three years before ‘Naseeb’.

Speaking of movie references, there are loads in ‘Naseeb’, and trying to spot them was one of the fun things about the film. Desai directed the classic film ‘Dharam Veer’ (starring Dharmendra) in 1977, and it’s referenced in ‘Naseeb’ – during the song ‘John Jaani Janardhan’. There are also some lovely references to Raj Kapoor’s classic film ‘Awaara’; from the set of the song ‘Chal Mere Bhai’ (with Amit ji and Raj Kapoor), which is reminiscent both of the opening credits of ‘Awaara’ and the song ‘Awaara Hoon’, to the Charlie Chaplin costume worn by Rishi, Raj’s son, in the show-stopping number ‘Rang Jamaye Jamake’ (which is reminiscent of the excellent number ‘Amar Akbar Anthony’ from AAA). I noticed one other filmi reference that escapes me right now (I think it might have been a reference by Rishi's character to ‘Mera Naam Joker’), and there may have been others that went over my head on this viewing…

The story of the film is fun and pretty straightforward (in a very roundabout way) – a lot the script makes absolutely no sense or stretches the bounds of ‘coincidence’ (and credulity) to the point where it’s completely absurd, but then that’s unsurprising for a film like this one. It’s meant to be ridiculous, over the top and little nonsensical – and it all works, thanks to the performances. But back to the story – basically, the entire drama begins over a lottery ticket that four friends agree to share… greed and selfish interest intrude, and two of the four friends are cheated out of their rightful winnings…. Naturally, years later, the opportunity to gain revenge arises…

‘Naseeb’ has a little bit of everything. Unlike AAA, there is loads of action in the film, with lots of memorable baddies, and the fight scenes are very stylish, detailed and well-choreographed – you can tell that a lot of work went into putting the sequences together. It’s obvious that this film was made on what must have been a mammoth budget for that time – of course the special effects and stunts look a bit crude now, but they were really impressive for the time at which the film was made. But along with the slick action, there’s also a lot of random weirdness and goofiness (which I loved); from the skilfully-staged fencing in Don’s lair, to the hilarious revolving restaurant (which reminded me of Pushp Villa in Agra), to Namdev’s spiffy white suit worn with MASSIVE black gloves, to the very, very disturbing salute given by the criminals’ lackeys, to Don’s straight-backed piano-playing skills.. and just when you’ve seen every bit of weirdness one film could possibly offer, out pop Eliza Doolittle (in the outfit made famous by Audrey Hepburn in ‘My Fair Lady’) and Charlie Chaplin!

Can I just say how much I loved Hema Malini in this movie? How gorgeous is she? She looked so beautiful – I know she always does, but sometimes I was just gobsmacked, watching her in this film. And apart from looking lovely, her portrayal of the strong, spunky, vibrant and independent Asha is absolutely spot-on for me – I loved her performance in this film. She was just excellent.

One thing I really liked about ‘Naseeb’, actually, is the ‘kickass-ness’ of the female co-stars. Along with Hema ji, who plays Johnny’s love-interest Asha; the beautiful Kimi plays Sunny’s love interest Kim, while the lovely Reena Roy plays the somewhat tragic Julie, Vicky’s love interest (I wasn’t at all fond of the resolution of the Vicky/Julie storyline – not the outcome but the way they got there – but I guess that’s Bollywood for you). Anyway, as I was saying, I loved how ‘un-helpless’ and proactive the female leads were – there’s nothing hotter than three beautiful ladies flying through a window on a motorbike to save their men. Hot stuff, I tell you. I absolutely loved that moment.

Watching Amitabh Bachchan opposite Hema ji in this film helped me understand why she came in third in my recent Amitabh leading-lady poll. They are so great together in this film – lively, fun, bold, interesting… great chemistry. Totally loved them together.

So ‘Naseeb’ was great fun. Based on its star cast (apart from the special appearances in ‘John Jaani Janardhan’ and the lead roles, there’s also Amjad Khan, Shakti Kapoor, Om Shivpuri, and others) and the fact that it was made by Manmohan Desai, I had expected it to be a good watch, and it certainly was…

…unlike another film I recently watched…in theory it looked great… in the lead roles, there were three actors whose work I usually love– Sanjeev Kumar, Amitabh Bachchan and Sharmila Tagore. The film was scripted by the brilliant Gulzar, who is probably my favourite Hindi-film writer (for movie scripts as well as song lyrics)… but despite all that… well, I guess that’s a story for another day. I’ll be back to talk about that film soon… but (hopefully) before then I’ll (finally) be posting Bollywood-related pictures and commentary from my trip to India...

Couldn't resist one more random pic of the very pretty Hema Malini...

POLL RESULTS: Big B's Leading Ladies

So technology is great – we all know that. But sometimes it turns around and gives you a sharp bite in the behind. Like yesterday, when after painstakingly selecting, cropping, resizing and labelling some of the many pictures from my trip to India, with the intention of sharing the said photographs with my friends (yourselves included), my computer did this weird random thingy where it speedily deleted all the pictures I had spent hours working on, leaving nary a trace of them anywhere – and also leaving me with my heart thumping madly and my head spinning with the sheer horror of the moment. Oh well – like the phoenix I shall rise again and do the selection of photos all over – but it will take a while. First I must get over the trauma, and then I must find the time… hopefully I will find it over the coming weekend…

So, instead of posting pictures and commentary from my trip (which I was really looking forward to doing), today I will be doing a long-overdue post on the final results of my first ever poll. The really cool thing is that exactly 100 votes had come in just when I decided it was time to close the poll. Again, many thanks to all of you for voting!

Now, to set the scene, here are some pictures of Mr. Bachchan:

To recap, the question was which of 10 listed female actors had shared the best onscreen chemistry with the Shahenshah of Bollywood (by the way, very belated but sincere 65th birthday wishes from myself to the screen icon). And this is how you voted:

REKHA: The beautiful star of the original ‘Umrao Jaan’ is our winner – Rekha captured a whopping 53 votes. She acted opposite the big B in movies like ‘Silsila’, ‘Mr. Natwarlal’, and ‘Muqaddar ka Sikandar’. I’ve noted before that I don’t really get why the Bachchan/Rekha jodi is so popular, and unfortunately I am no closer to getting it now – perhaps it has something to do with the rumours that swirled around the two actors? I guess watching them together onscreen would be much more interesting if you were also looking for evidence of their real-life relationship at the same time…

JAYA BHADURI: Excuse this diversion, but I just have to say that I love Jaya Bhaduri –she is one of my favourite actors – Indian or otherwise. For some reasons, her performances make such a huge impact on me – I just find her mannerisms, her expressions, her enunciation, just spellbinding and powerful in their simplicity and skill. Recently, at an airport, I was browsing over-priced Hindi movie DVDs and thinking that I couldn’t afford any – and then I came upon one of her films, ‘Kora Kagaz’, and quickly made an exception because I love her so much. And when I heard that ‘Laaga Chunari Mein Daag’ was out at my local cinema, I dropped everything and rushed over to see it because of her – I didn’t like the character she portrayed, but she was true to the character and delivered a good performance. I think she is simply a wonderful actor. (Diversion over.)

I was really rooting for Jaya ji in this poll. I personally think that of all the actors I listed, she shares the best onscreen chemistry with her real-life husband. They are both very good actors, they both have this amazing presence – call it star-quality if you like – that makes them really compelling to watch, and they are both good-looking (in an unconventional, and therefore much more interesting way), but it’s more than that - they just have that ‘x-factor’, that ‘flow’, that makes for a great onscreen couple.

From oldies like ‘Mili, ‘Abhimaan’ (those two are my favourite Amitabh/Jaya movies), ‘Sholay’, ‘Chupke Chupke’ and ‘Zanjeer’ to the more recent ‘Kabhi Khushi Kabhie Gham’; I think these two really vibe well together onscreen – I love the fact that despite the contrast in height, their onscreen interactions never place Jaya at a disadvantage – she always rises to meet up and sometimes even towers over him and grabs your attention more – and I think they are just so… interesting together. They just relate really well onscreen, and you (the viewer) can really ‘feel’ their characters and relate to their story and the way they bounce off each other. So (just in case you missed it amidst all my gushing), I think they are great together onscreen.

Jaya got 24 votes, less than half of the number of votes Rekha received – I really wish she’d done better in this poll but hey, she’s in second place so she did pretty good.

HEMA MALINI: A while ago, I did an update on the poll – and since the time of that update, the gorgeous Hema ji has earned more votes than any of the other listed actors, bumping her up to a prestigious third place, with 20 votes (perilously close to Mrs. Bachchan!) Another diversion: how gorgeous is this woman? I saw her in ‘Laaga Chunari Mein Daag’ and just could not believe how youthful and beautiful she looks. One thing I like about Hema is that I somehow get the impression that she holds all this steely resolve, boldness and ambition within an apparently very demure and mild exterior – I feel she is easy to underestimate (not as an actor, but as a contender – in any forum) and that she relishes and takes advantage of the fact that her soft exterior simply veils a true go-getter. I like.

But back to the topic at hand – Hema has co-starred with the Big B in older films like ‘Do Aur Do Paanch’ and ‘Nastik’, and the couple was ‘re-launched’ in the more recent ‘Baghban’ – I thought they were absolutely adorable together as the yearning, inseparable spouses in that film. I also thought they were great as a cute, affectionate, constantly teasing couple in ‘Veer Zaara’, another recent pairing. As for ‘Baabul’… for me, it was such a bad film that I didn’t notice whether or not they were good together. But yeah, I think Amit ji and Hema ji are really cool together – he’s all humour, intensity and/or gravitas, she’s all warmth, spirit, grace and light; they respond really well to each other and look very handsome together – it usually works really well.

PARVEEN BABI: Hema’s fans knocked Parveen out of the top 3 at the last minute – but only by a hair’s breadth. She’s in fourth position, with 18 votes. Parveen provided many memorable moments alongside Amitabh Bachchan in films like ‘Amar Akbar Anthony’, ‘Deewaar’ and ‘Shaan’. Whether it was comedy or tragedy, these two made a really strong couple and seemed to bring out the best in each other. And speaking of strength, I agree with Carla that there is something strong, vibrant and earthy about Parveen that works quite well with the towering persona that is the Big B.

Next up, in fifth position, it’s a tie between RANI MUKERJI and ZEENAT AMAN, each with 8 votes each. It’s clear from the difference in the number of votes between Parveen and these two; that Rekha, Jaya, Hema and Parveen are the female actors you’ve loved the most opposite Mr. Bachchan. But neither Rani, who did a great job opposite Amit ji in ‘Black’, nor Zeenat, who gave us a fab turn opposite the Big B in ‘Don’, and also co-starred with him in ‘Laawaris’, ‘Pukar’ and a number of other films, have done badly in this poll.

RAKHEE: Rakhee Gulzar has co-starred with Amit ji in movies like ‘Trishul’, ‘Kabhi Kabhie’, ‘Kasme Vaade’ and the more recent ‘Ek Rishtaa’. While I am not the world’s biggest Rakhee fan, I think her performances opposite Mr. Bachchan have been quite memorable, and they make a nice couple. Following closely on the heels of the fabulous Rani and Zeenat, here she is in sixth position, with 7 votes.

And finally… we have a three-way tie for the seventh position – it’s BINDU,

AMRITA SINGH, AND SHARMILA TAGORE,

clinching the bottom spot in this poll with 3 votes each. I think all three of these ladies are fabulous – but not the best onscreen chemistry with Amit ji (although I think Amrita rocked opposite him in ‘Mard’). They do deserve an honourable mention, so thanks for giving them some votes and showing them some love. And thanks again to Carla for giving a nod to TABU (‘Cheeni Kum’) and Beth for her nod to NEETU SINGH (‘Parvarish’).

And so those are the results of the Big B leading-lady poll – currently up is the SRK leading lady-poll, and the results are really interesting so far. I am thrilled to see that although Kajol is definitely (and not at all surprisingly) leading the pack, some of the other ladies that I love to see opposite SRK – Juhi Chawla and Rani Mukerji, for example; are making a strong showing as well. Please keep voting. Thank you!